Greenwich Entertainment Acquires NA Rights To ‘Angelheaded Hipster’ Doc On “Ultra-Charismatic” Marc Bolan And Band T. Rex

Tony Ayres, the creator behind Netflix hits like Clickbait and Stateless, faced a tricky adaptation challenge with Jane Harper’s bestselling novel The Survivors. The book’s story could fit into a two-hour movie, but Netflix wanted a six-episode series. His solution? Amplify the emotional tension—especially between a guilt-ridden son and his unforgiving mother—while using Tasmania’s moody, gothic landscapes as a haunting backdrop. The result? A "twisty-turny, fun, compelling murder mystery" that leans into drama as much as thrills.

Editor’s Note: Adapting books for TV is always a balancing act—stretch too much, and the story feels thin; stick too close, and it might not justify the runtime. Ayres’ approach—deepening character dynamics and leveraging Tasmania’s eerie beauty—shows how a creative team can expand a story without losing its soul. For fans of Harper’s book or Ayres’ past work, this could be a must-watch. Plus, it’s another win for Tasmania’s growing reputation as a cinematic mood-setter.

Warner Bros. Discovery had a rough 2024, with revenue dropping nearly 5% and a jaw-dropping $11.5 billion net loss—partly due to a $9.1 billion write-down on its declining TV networks. The stock also took a hit. But here’s the twist: CEO David Zaslav still managed to hit his bonus targets. How? That’s the eyebrow-raising question this story digs into.

Editor’s Note: When a company bleeds billions while its CEO pockets big bonuses, it raises serious questions about how executive pay is structured—and who’s really bearing the risk. For employees, shareholders, and even casual observers, it’s a stark reminder that corporate incentives don’t always align with reality.

Richard Linklater’s new film Nouvelle Vague, a tribute to the French New Wave that premiered at Cannes, will open the third Nouvelles Vagues Film Festival in Biarritz on June 24. The festival, backed by Chanel, will also feature Sofia Coppola as guest of honor, with a special screening of her classic The Virgin Suicides the next day.

Editor’s Note: This isn’t just another film festival—it’s a stylish, star-studded nod to cinematic history. Linklater’s film and Coppola’s presence highlight the festival’s focus on artistry and legacy, while Chanel’s involvement adds a touch of glamour. For film buffs, it’s a chance to see two iconic directors celebrated in a setting that’s as chic as it is meaningful.

Nintendo fans are losing sleep—literally—as stores open at midnight to meet the frenzy for the Switch 2. Retailers are calling it the "biggest gaming pre-order ever," but there’s a catch: the steep price tag might leave some players hesitating before swiping their cards.

Editor’s Note: The hype around the Switch 2 shows Nintendo’s grip on the gaming world is still strong, but with prices climbing, it’s a test of whether fans will pay up or hold off. If sales slow, it could signal a shift in how much gamers are willing to spend—even for nostalgia and must-have exclusives.

Bell Media is loading up Crave with fresh content for 2025/26, including a comedy produced by Elliot Page’s company, new series from Canadian stars Tom Green and Jared Keeso (Letterkenny), and a slate of U.S. acquisitions. They’re also teaming up with Versant’s USA Network for a co-ordered show—marking a push to blend homegrown talent with international appeal.

Editor’s Note: Crave’s getting a major glow-up, and it’s a win for Canadian viewers who want more high-profile, locally made shows alongside U.S. picks. The Elliot Page and Jared Keeso involvement signals creative credibility, while the USA Network collab hints at bigger ambitions—maybe even global reach. If you’re tired of streaming services leaning too hard on imports, this could be a refreshing shift.