‘Once Upon a Time in Hollywood’ Sequel: About the Cliff Booth Spinoff

CBS has announced several surprising cancellations for its 2025 TV lineup, leaving fans disappointed as multiple beloved shows are being axed or concluding their runs.

Adam Sandler is bringing back his iconic golf comedy with Happy Gilmore 2, and fans are buzzing about who’s joining the cast. The big question? Whether his real-life wife and kids will make an appearance—something Sandler’s known for in his films. The sequel’s already stacked with big names and fresh talent, so it’s shaping up to be a fun ride.

Over 15 years after the original film captivated audiences, talks of a sequel to The Social Network are heating up. The article rounds up the latest updates, including potential cast returns, release date rumors, and what the storyline might explore—likely diving into the continued drama around Facebook (now Meta) and its controversies.

Editor’s Note: For fans of the Oscar-winning original, this is exciting news—a sequel could revisit the high-stakes world of tech and power with fresh perspective. Given how much social media has evolved (and devolved) since 2010, there’s plenty of material for a gripping follow-up. Whether you’re here for the drama or the commentary on Big Tech, this story’s worth watching.

Actor John Leader has been cast as the Big Friendly Giant (BFG) in the Royal Shakespeare Company's (RSC) upcoming production, and he's openly excited about the role. The character, originally created by Roald Dahl, is a beloved figure in children's literature.

Editor’s Note: This is a fun piece of news for theater fans and Roald Dahl enthusiasts. Leader's enthusiasm and the RSC's reputation for high-quality productions suggest this could be a standout performance, making it worth keeping an eye on for families and theatergoers alike.

Brian Cox, the acclaimed veteran actor, is making a return to the Scottish stage with a play centered on the global banking collapse. His performance kicks off as Edinburgh’s festival season gets underway, blending art with a poignant real-world economic crisis.

Editor’s Note: This story matters because it highlights how theater can reflect major societal events—like the banking crisis—while also drawing attention to Edinburgh’s vibrant festival scene. Cox’s involvement adds star power, making it a cultural moment worth noting.