Mukul Dev Passes Away Live Updates

Sophie Turner, known for her role in Game of Thrones, recently showed support for her ex-husband Joe Jonas by publicly praising his new album—nearly two years after their high-profile breakup. Despite their split, Turner’s gesture suggests an amicable relationship, highlighting her appreciation for his music and, perhaps, a shared fondness for love-themed songs.

Editor’s Note: Breakups in Hollywood often turn messy, but Turner’s supportive comment is a refreshing reminder that exes can stay civil—or even friendly. It also subtly shifts the narrative from their past drama to their individual growth, which fans always appreciate. Plus, it’s a win for Jonas, getting extra buzz for his new music from an unexpected (but influential) source.

Oliver Laxe’s film Sirat, which just snagged a Jury Prize at Cannes, is already making waves internationally. The Match Factory has locked down distribution deals across multiple regions, including the UK, Ireland, Latin America, and parts of Europe. Basically, a lot more people around the world will get to see this award-winning flick soon.

Editor’s Note: Winning at Cannes is a big deal—it often means a film gets global attention and wider distribution. Sirat’s quick sales show there’s serious demand, which could mean more opportunities for Laxe and indie films like his. For movie buffs, it’s good news: another critically acclaimed film is coming to more screens.

Iranian filmmaker Jafar Panahi, fresh off winning the prestigious Palme d'Or at Cannes, didn’t just celebrate—he used the spotlight to challenge his government’s oppressive censorship. In his acceptance speech, he openly criticized the regime’s restrictions on artistic freedom, turning a personal triumph into a political statement.

Editor’s Note: This isn’t just another awards-season story. Panahi’s defiance underscores how art and activism collide in places where creative expression is stifled. His speech amplifies a global conversation about censorship—and why festivals like Cannes matter beyond red carpets.

Iranian director Jafar Panahi took home the prestigious Palme d'Or at Cannes for his film It Was Just an Accident, a major win for a filmmaker who's faced government censorship in his home country. Meanwhile, Kleber Mendonça Filho’s The Secret Agent snagged awards for both acting and directing, and the Jury Prize ended in a rare tie between Sirât and Sound of Falling.

Editor’s Note: Cannes is one of the biggest stages in global cinema, and Panahi’s win is especially meaningful—he’s been jailed in Iran for his work, so this recognition amplifies his voice on the world stage. The mix of winners also highlights the festival’s eclectic tastes, from political dramas to bold new storytelling. For film buffs, it’s a snapshot of what’s shaping the art form right now.

Disney’s live-action Lilo & Stitch remake pulled in a solid $56.3 million in its first three days overseas, while Mission: Impossible – The Final Reckoning is already outperforming its predecessor in early international markets. Both films are driving a busy weekend at the global box office, with Lilo & Stitch rolling out in 50 markets and Mission: Impossible showing strong momentum.

Editor’s Note: This isn’t just about nostalgia or flashy action—it’s a sign that big franchises still have serious pull with audiences worldwide. Lilo & Stitch’s performance suggests Disney’s live-action remakes aren’t dead yet, while Mission: Impossible’s strong start hints that Tom Cruise’s star power (and death-defying stunts) still sell tickets. For Hollywood, these numbers are a welcome boost after a shaky year for blockbusters.