Touts employ overseas workers to bulk-buy gig tickets

Film Movement just snagged the U.S. rights to Boxcutter, a Toronto-set hip-hop drama that premiered at SXSW. Directed by Reza Dahya, it follows Rome (played by Ashton James), a budding rapper whose stolen laptop sends him on a wild journey through a rapidly changing city. Think gritty beats, street-level struggles, and a fresh take on the hip-hop coming-of-age story.

Editor’s Note: Indie films about hip-hop culture don’t always get wide distribution, so this acquisition means more audiences will see a story rooted in Toronto’s vibrant scene. It’s also a win for diverse voices—Dahya’s lens on gentrification and ambition could resonate far beyond the city’s borders. If you’re into music-driven dramas or urban storytelling, keep an eye on this one.

Disney just dropped some exciting news on social media—Lilo & Stitch 2 is officially in the works! Details are still slim (no word yet on who’s directing or if the original cast is returning), but the announcement comes hot on the heels of the live-action remake’s box office success, which has raked in over $923 million globally this year.

Editor’s Note: For fans of the 2002 animated gem, this is a big deal. The original Lilo & Stitch has a cult following for its heartwarming story and quirky charm, and the live-action remake’s massive earnings prove the franchise still has legs. A sequel could mean more of that beloved Hawaiʻi-set chaos—or, if done poorly, risk feeling like a cash grab. Either way, it’s got people talking.

DirecTV just locked in a deal with Paramount to bring Nickelodeon shows to its new $20-a-month kids' bundle, called MyKids. This is part of their strategy to offer smaller, themed channel packs instead of giant, expensive cable bundles—giving parents a cheaper way to keep their little ones entertained.

Editor’s Note: Cord-cutters have been begging for more flexible, affordable options, and this is another step in that direction. Instead of paying for hundreds of channels you don’t watch, MyKids gives families a budget-friendly way to access just the content they care about—in this case, Nick favorites like SpongeBob or Paw Patrol. It’s also a win for Paramount, which gets another revenue stream as traditional cable fades.

Geena Davis and a group of collaborators are reportedly working on a reimagined version of The Big Lebowski, the beloved 1998 Coen Brothers cult classic. While details are still scarce, the project seems to be more of a fresh take than a straight remake—think new angles on the original’s quirky characters and iconic scenes, like Walter and The Dude’s chaotic money-drop misadventure.

Editor’s Note: The Big Lebowski has a die-hard fanbase, and any revisit—especially with talent like Davis involved—is bound to stir excitement (and maybe some nerves). Remakes can be risky, but a "reimagined" approach suggests creative respect rather than a carbon copy. For fans, it’s either a reason to celebrate or cautiously hope the Dude abides… appropriately.

Bobby Berk, one of the stars of Netflix’s Queer Eye, shared that he actually lost money early on while filming the show. He also addressed fan frustration over the Fab Five’s frequent brand promotions, explaining that it wasn’t always as glamorous as it seemed behind the scenes.

Editor’s Note: Even hit shows like Queer Eye don’t guarantee instant success for their stars—Berk’s honesty about the financial struggles early on is a reminder that TV fame isn’t always lucrative right away. The mention of brand deals also taps into a bigger conversation about how reality TV stars monetize their platforms, which fans don’t always love. It’s a peek behind the curtain of a feel-good show.