Justin Bieber's Mom Shares Prayer of "Healing" For Him

Coachella 2026 has officially sold out just three days after tickets went on sale, marking a significant turnaround for the festival after years of slower sales. This rapid sell-out highlights the enduring popularity of the event and the excitement surrounding future performances, although it leaves some fans disappointed.

Coachella 2026 has sold out both weekends just a week after announcing its lineup, showcasing the festival's immense popularity. This rapid sell-out highlights the excitement surrounding the event and the anticipation for the performances planned for April. It's a testament to the festival's strong following and the allure of its featured artists.

Justin Bieber recently shared adorable photos showcasing his close bond with his wife, Hailey, and their son, Jack, during a visit to the Empire Polo Club in California. This glimpse into their family life not only highlights the joy they share but also emphasizes the importance of family amidst Bieber's busy career, especially as he prepares to headline Coachella. Fans appreciate seeing this personal side of him, reinforcing the idea that family comes first.

Viaplay Content Distribution is making waves at MIPCOM Cannes by showcasing 20 original shows from SkyShowtime, including a mix of dramas, thrillers, comedies, and documentaries. This move not only expands Viaplay's catalog but also highlights the growing demand for diverse content in the European market. With titles like the Swedish drama 'Beartown,' viewers can expect engaging stories that resonate across cultures, making this a significant step for both Viaplay and SkyShowtime.

A new talent series called 'Europe’s K-Pop Odyssey' is launching, aiming to discover the next big K-pop stars across Europe. Produced by Pig & Horse Productions in collaboration with UpToLevel Media and Mothership, this innovative project promises to blend social media engagement with traditional talent scouting. This initiative is significant as it highlights the growing influence of K-pop globally and offers European artists a unique platform to showcase their talents in a genre that has taken the world by storm.

The Thessaloniki International Film Festival is gearing up for its 21st edition of the AGORA Co-Production Forum, showcasing 14 exciting projects from 16 different countries. Running from November 2-6, this forum is a significant platform for filmmakers to connect and collaborate, highlighting the festival's commitment to fostering international cinema. With a jury that includes notable figures like Frank Hoeve and Uljana Kim, this year's event promises to be a vibrant hub for creativity and innovation in the film industry.

The Finnish film community is mourning the sudden passing of actor Tomi Alatalo at just 44 years old, which adds a bittersweet layer to the release of 'The More Loving One.' In this film, Alatalo portrays a record company executive who plays a pivotal role in the journey of aspiring musicians. His untimely death not only impacts the film's release but also highlights the fragility of life and the importance of celebrating artistic contributions while they are still with us.

Yukari Sakamoto's film 'White Flower and Fruits' is making waves as it premieres in the New Directors competition at the San Sebastián Film Festival. The story follows Anna, a quiet transfer student at a Protestant girls boarding school, and explores themes of identity and belonging. This film is significant not only for its artistic vision but also for showcasing new talent like Miro, who plays the lead role. It's a fresh addition to the festival, promising to captivate audiences with its unique narrative.

STV Studios is making significant cuts by halting entertainment development and investment in Mighty Productions, known for its 'Ex Rated' content. This decision is part of a broader cost-saving initiative, leading to the departure of Creative Director Gary Chippington. This move highlights the challenges faced by production companies in a competitive market and raises questions about the future of innovative content in Scotland.