Jimmy Kimmel Sends Love To Stephen Colbert, Blasts CBS Over ‘The Late Show’ Axing

The Edinburgh TV Festival is pulling out all the stops for its 50th anniversary, adding comedy powerhouse Tina Fey (30 Rock, Unbreakable Kimmy Schmidt) and sharp-witted satirist Charlie Brooker (Black Mirror) to its lineup. Fey will sit down for a chat with Graham Norton on the festival’s closing day, promising a mix of wit, industry insights, and maybe a few behind-the-scenes gems. With these heavy hitters onboard, this year’s event is shaping up to be a must-watch for TV fans and industry insiders alike.

Editor’s Note: Big names like Fey and Brooker don’t just show up anywhere—their participation signals that this year’s festival is a major cultural moment for television. Whether you’re a fan of sharp comedy or dystopian satire, their appearances will likely offer a rare peek into the creative minds shaping what we watch. Plus, for aspiring writers and producers, it’s a golden opportunity to hear from legends about the craft and future of TV.

A biopic about Narain Karthikeyan, India’s trailblazing first Formula One driver, is in the works. Titled NK 370 (a working title), the Tamil-language film will be directed by Mahesh Narayanan, known for critically acclaimed movies like Take Off and Malik. The project, produced by Blue Marble Films, aims to spotlight Karthikeyan’s groundbreaking career and the challenges he faced in the high-octane world of F1 racing.

Editor’s Note: This isn’t just another sports biopic—it’s a celebration of a pioneer who put India on the global motorsports map. Karthikeyan’s story, full of grit and ambition, deserves the spotlight, and having a director like Narayanan at the helm suggests it’ll be more than just a glossy retelling. For F1 fans, Indian cinema lovers, or anyone who roots for underdogs, this is a project to watch. Plus, it could spark fresh interest in India’s growing motorsports scene.

Tina Fey and Black Mirror creator Charlie Brooker are heading to the Edinburgh TV Festival next month, adding some serious star power and creative firepower to the lineup. Fey will chat with Graham Norton in what’s sure to be a witty, must-see session, while Brooker’s appearance will likely dive into the dark, thought-provoking world of his hit series.

Editor’s Note: This isn’t just another festival announcement—it’s a big deal for TV fans and industry insiders. Fey’s presence brings comedy gold and mainstream appeal, while Brooker’s involvement signals deep dives into storytelling and tech’s impact on society. Together, they make the festival a can’t-miss event for anyone who cares about where TV is headed.

The fictional band Pink Slip from the 2003 Disney movie Freaky Friday just played a surprise set at Disneyland, and for anyone who grew up with that era of Disney nostalgia, it hit hard. The performance was a full-on throwback, complete with the same energy and songs that made Lindsay Lohan’s angsty teen rocker so iconic. If you were a moody 2000s kid, this was basically a time machine.

Editor’s Note: This isn’t just a fun Disneyland gig—it’s a clever nod to millennials who grew up on Freaky Friday and the early 2000s Disney Channel vibe. Nostalgia is a powerful marketing tool, and Disney knows exactly how to tap into it, making fans feel like kids again while keeping its parks fresh with surprises. For a generation that’s now adulting hard, a little throwback like this feels like a gift.

CBS announced that The Late Show with Stephen Colbert will wrap up in May 2026, citing financial pressures and a tough landscape for late-night TV. Colbert, who took over in 2015, became a defining voice in the genre, but shifting viewer habits and ad revenue struggles seem to have sealed the show's fate.

Editor’s Note: Late-night TV isn’t what it used to be—streaming and fragmented audiences have made it harder for even big names like Colbert to keep the lights on. This isn’t just about one show ending; it’s a sign of how traditional TV is struggling to adapt. Fans will miss his sharp monologues, but the bigger question is whether any late-night show can thrive in this era.