Shanghai Film Fest Unveils Golden Goblet Lineup With Record Submissions

SNL just wrapped up its 50th season with a bang, pulling in an average of 8.1 million viewers per episode—its highest numbers in three years. That’s a 12% jump from last season, proving the sketch comedy giant still has serious staying power.

Editor’s Note: In an era where streaming and shorter attention spans dominate, SNL’s strong ratings show live, appointment-viewing TV isn’t dead yet. It’s also a win for NBC, proving that even after 50 seasons, the show can still draw a crowd—whether it’s thanks to buzzy hosts, viral sketches, or just nostalgia for a late-night staple.

Big-name management and production firm 3 Arts just scooped up A&A Management Group, a move that pushes them deeper into the world of sports representation. The deal brings A&A’s founders on board as partners, though the price tag remains under wraps. A&A specializes in guiding pro athletes and building their brands—now they’ll tap into 3 Arts’ heavyweight roster of talent managers and producers.

Editor’s Note: This isn’t just industry shuffling—it’s a sign of how blurred the lines are getting between sports, entertainment, and branding. Athletes aren’t just players anymore; they’re content creators, influencers, and crossover stars. By folding A&A into its empire, 3 Arts is betting that the future of fame (and the money behind it) lives at this intersection. For athletes and fans alike, expect more high-profile collabs and business moves that feel straight out of Hollywood.

Australia’s streaming service Stan is beefing up its lineup with some high-profile shows, thanks to a renewed deal with Sony Pictures Television. Subscribers can look forward to first-run access to Outlander: Blood of My Blood (a prequel to the hit series), the quirky comedy-drama The Miniature Wife, and the Jon Hamm-led thriller American Hostage. It’s a win for Stan, which is clearly doubling down on exclusive content to keep viewers hooked.

Editor’s Note: For Aussie TV fans, this is a big deal—Stan’s securing fresh, buzzworthy shows means less waiting for international hits and more homegrown streaming bragging rights. It also signals how competitive the global streaming wars have become, with regional players like Stan locking down exclusive deals to stand out. If you’re tired of scrolling through stale catalogs, this might just be your cue to hit subscribe.

Two buzzy shows, The Studio and Hacks, are being hailed as some of the sharpest, most authentic takes on Hollywood ever made—but the article wonders if their insider perspective might feel alienating or even triggering for viewers outside the industry. The writer, a Hollywood reporter, admits they’re drawn to these stories because they’re steeped in the chaos, absurdity, and drama of the business they cover daily.

Editor’s Note: Hollywood loves navel-gazing, and these shows do it brilliantly—but their hyper-specificity raises questions about who they’re really for. If you’ve ever cringed at an overly insider-y industry joke or felt exhausted by Hollywood’s self-mythologizing, this piece taps into that tension. It’s a fun meta-conversation about whether art imitates life too closely when the subject is itself.

Saturday Night Live just wrapped up its landmark 50th season with a ratings win—pulling in its highest viewership numbers in three years. The show averaged 8.1 million viewers, topping seasons 48 and 49, thanks in part to its star-studded anniversary celebrations and strong lineup.

Editor’s Note: SNL proving it’s still a cultural force after 50 years is a big deal. In an era where late-night TV is struggling to hold audiences against streaming and social media, this rebound suggests the show’s mix of nostalgia and fresh talent still works. For NBC, it’s a reassuring sign that old-school broadcast TV isn’t dead yet.