The Princess of Wales has admitted her children were "very sad" to miss the Royal Variety Performance in London, which she and the Prince of Wales attended. [object Object]

أعربت أميرة ويلز عن أن أطفالها كانوا 'حزينين جدًا' لعدم حضور عرض Royal Variety في لندن، وهو الحدث الذي حضرت له مع أمير ويلز. تضمن العرض عدة فقرات، بما في ذلك ظهور خاص لدب بادينغتون، الذي كان الأطفال يتطلعون إليه بشغف.

La Princesa de Gales expresó que sus hijos estaban 'muy tristes' por perderse el Royal Variety Performance en Londres, un evento al que asistió con el Príncipe de Gales. La actuación incluyó varios actos, incluida una aparición especial de Paddington Bear, que los niños esperaban con entusiasmo.

La princesse de Galles a déclaré que ses enfants étaient 'très tristes' de manquer le Royal Variety Performance à Londres, un événement auquel elle a assisté avec le prince de Galles. La performance a présenté divers numéros, y compris une apparition spéciale de Paddington Bear, que les enfants attendaient avec impatience.

The Princess of Wales expressed that her children were 'very sad' to miss the Royal Variety Performance in London, an event she attended with the Prince of Wales. The performance featured various acts, including a special appearance by Paddington Bear, which the children were particularly looking forward to.

Princess of Wales says her children were 'very sad' to miss Paddington at Royal Variety show

The Place, London Intriguing works by Seirian Griffiths, Qi Song and Isadora D’Héloïsa explore in-between states in this month-long showcase of the future of danceEach evening at the Place’s <a href="https://theplace.org.uk/resolution-2026">Resolution festival</a> of new choreography showcases fresh green shoots and this particular triple bill of bright, idea-driven dance was united by intriguing concepts. Each piece is a consideration of in-between states, most outlandishly the standout, Interchange, a questing solo by Seirian Griffiths. In a particularly bureaucratic purgatory, the recently deceased Michael is informed, via a brisk yet personable voiceover from Sam Booth, that he has some excess baggage to process. The only way forward is to revisit the loves of his life, from his mother to fleeting relationships.The setup, with its slightly overdone pastiche of muzak-accompanied admin hell, prompts a dance of not quite exorcism but certainly cleansing as Michael spins through his past. The occasionally galloping pace suggests the near-death notion of events flashing before your eyes, as Griffiths makes graceful yet quicksilver transitions between contained bouts of torment that are strikingly well acted and boosted by his own coiled compositions. The hip-hop stylings are featherlight, too, when he pivots with a headstand or practically levitates, his shadow like a chalked outline below. <a href="https://www.theguardian.com/stage/2026/jan/14/resolution-festival-review-london-the-place-2026">Continue reading...</a>

يعرض مهرجان Resolution في The Place بلندن رقصات مبتكرة، مع التركيز على أعمال سيريان غريفيثس، تشي سونغ، وإيزادورا د هيلويزا، التي تستكشف حالات الانتقال. القطعة البارزة، Interchange، تقدم سردًا فريدًا لشخص متوفى حديثًا يتنقل عبر تحديات بيروقراطية ويعيد زيارة علاقاته المهمة في حياته.

El festival Resolution en The Place de Londres presenta coreografías innovadoras, destacando obras de Seirian Griffiths, Qi Song e Isadora D’Héloïsa, centradas en la exploración de estados intermedios. La pieza destacada, Interchange, ofrece una narrativa única de un individuo recientemente fallecido que navega por desafíos burocráticos y revisita relaciones significativas de su vida.

Le festival Resolution au Place à Londres présente une chorégraphie innovante, mettant en avant des œuvres de Seirian Griffiths, Qi Song et Isadora D’Héloïsa, axées sur l'exploration des états intermédiaires. La pièce phare, Interchange, propose un récit unique d'un individu récemment décédé naviguant dans des défis bureaucratiques et revisitant des relations significatives de sa vie.

The Resolution festival at The Place in London showcases innovative choreography, featuring works by Seirian Griffiths, Qi Song, and Isadora D’Héloïsa, with a focus on exploring in-between states. The standout piece, Interchange, presents a unique narrative of a recently deceased individual navigating bureaucratic challenges and revisiting significant relationships in his life.

Resolution festival review – admin hell, an epic club night and flamenco voguing

The musician discovered a "historic underpayment" after being sued in London's High Court.

دفع ستينغ 600,000 جنيه إسترليني كعائدات لزملائه السابقين في فرقة The Police بعد اكتشافه نقصًا تاريخيًا في المدفوعات، وذلك بعد أن تم مقاضاته في المحكمة العليا بلندن. يسلط هذا الدفع الضوء على قضايا الشفافية المالية والعدالة داخل صناعة الموسيقى.

Sting ha pagado 600,000 £ en regalías a sus excompañeros de banda de The Police tras descubrir un subpago histórico, después de ser demandado en el Tribunal Superior de Londres. Este pago resalta problemas de transparencia financiera y equidad dentro de la industria musical.

Sting a versé 600 000 £ en redevances à ses anciens camarades du groupe The Police après avoir découvert un sous-paiement historique, suite à un procès au High Court de Londres. Ce paiement met en lumière des problèmes de transparence financière et d'équité au sein de l'industrie musicale.

Sting has paid £600,000 in royalties to his former bandmates from The Police after discovering a historic underpayment, following a lawsuit in London's High Court. This payment highlights issues of financial transparency and fairness within the music industry.

Sting pays Police bandmates £600,000 in royalties

Gagosian, London More than four decades on, Goldin’s louche lovers, waxwork royals, divorcing Mexicans and frightening wallpaper feel uncannily present – normal evenNow more than 40 years old, Nan Goldin’s The Ballad of Sexual Dependency records a lost world, but one that feels as present as it did when I first saw these images. A compilation of photographs taken by the artist between 1973 and 1986, the Ballad has been presented as an ever-changing slide show, with various accompanying soundtracks and voiceovers, since the 1980s.It has also been presented on video, as a film and a book. I’ve been familiar with these images for much of my adult life, watching Robin smoking, with Kenny in the background in the purple room. The smoke still hangs there beneath the mirrorball and Robin’s profile is still astonishing. I have seen Suzanne in tears and, in another shot, looking at her face in the mirror in a tiled bathroom dizzy with slanting reflections. <a href="https://www.theguardian.com/artanddesign/2026/jan/14/nan-goldin-ballad-of-sexual-dependency-review-gagosian-london">Continue reading...</a>

تستمر "Ballad of Sexual Dependency" لناan Goldin، التي مضى عليها أكثر من 40 عامًا، في التأثير على الجمهور، حيث تعرض مجموعة من الصور الفوتوغرافية التي تم التقاطها بين عامي 1973 و1986. تم تقديم العمل بأشكال متعددة، بما في ذلك العروض التقديمية والفيديو، مما يلتقط لحظات حميمة وعمقًا عاطفيًا من خلال تصويره للعلاقات والصراعات الشخصية.

La Ballade de la dependencia sexual de Nan Goldin, que ahora tiene más de 40 años, sigue resonando con el público, mostrando una colección de fotografías tomadas entre 1973 y 1986. La obra se ha presentado en varios formatos, incluidos proyecciones y videos, capturando momentos íntimos y una profundidad emocional a través de su retrato de relaciones y luchas personales.

La Ballade de la dépendance sexuelle de Nan Goldin, qui a maintenant plus de 40 ans, continue de résonner auprès du public, présentant une collection de photographies prises entre 1973 et 1986. L'œuvre a été présentée sous diverses formes, y compris des diaporamas et des vidéos, capturant des moments intimes et une profondeur émotionnelle à travers son portrait des relations et des luttes personnelles.

Nan Goldin's The Ballad of Sexual Dependency, now over 40 years old, continues to resonate with audiences, showcasing a collection of photographs taken between 1973 and 1986. The work has been presented in various formats, including slide shows and video, capturing intimate moments and emotional depth through its portrayal of relationships and personal struggles.

Nan Goldin: The Ballad of Sexual Dependency review – an electrifying parade of sex, smoke and sullen silence

The celebrated immersive theatre company has launched a new multiplayer stealth game at its headquarters in Woolwich, south-east London. Photographer Tristram Kenton was granted special access <a href="https://www.theguardian.com/stage/gallery/2026/jan/13/punchdrunk-live-action-video-game-lander-23-in-pictures">Continue reading...</a>

أطلقت شركة المسرح الغامر بانشدرنك لعبة جديدة متعددة اللاعبين بعنوان 'Lander 23' في مقرها في وولويتش، جنوب شرق لندن. حصل المصور تريسترام كينتون على وصول حصري لالتقاط التجربة في سلسلة من الصور.

La compañía de teatro inmersivo Punchdrunk ha lanzado un nuevo juego de sigilo multijugador titulado 'Lander 23' en su sede en Woolwich, al sureste de Londres. El fotógrafo Tristram Kenton tuvo acceso exclusivo para capturar la experiencia en una serie de imágenes.

La compagnie de théâtre immersif Punchdrunk a lancé un nouveau jeu d'infiltration multijoueur intitulé 'Lander 23' dans son siège à Woolwich, au sud-est de Londres. Le photographe Tristram Kenton a eu un accès exclusif pour capturer l'expérience à travers une série d'images.

The immersive theatre company Punchdrunk has launched a new multiplayer stealth game titled 'Lander 23' at its headquarters in Woolwich, south-east London. Photographer Tristram Kenton was granted exclusive access to capture the experience in a series of images.

Princess of Wales says her children were 'very sad' to miss Paddington at Royal Variety show

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