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The Cannes Film Festival wasn’t all glitz and glam this year—some seriously awkward moments stole the spotlight. Denzel Washington made headlines after angrily confronting a photographer who crossed a line by touching him, but that was just one of several cringe-worthy incidents. From red carpet mishaps to tense interactions, the festival had its share of unscripted drama.

Editor’s Note: Cannes is usually about celebrating film, but this year, off-screen antics overshadowed the art. These moments matter because they highlight the pressures and pitfalls of fame—even at the world’s most prestigious film event, stars are still dealing with invasive behavior and uncomfortable situations. It’s a reminder that behind the glamour, celebrities are human too.

Les Dilley, the acclaimed production designer who helped shape the iconic visuals of Star Wars: A New Hope and Raiders of the Lost Ark, has passed away at 84. His work on these films earned him an Oscar, and his contributions left a lasting mark on Hollywood’s golden age of blockbusters. He died peacefully with his wife by his side after battling Alzheimer’s.

Editor’s Note: Dilley’s death isn’t just the loss of a talented artist—it’s a reminder of the behind-the-scenes geniuses who built the worlds we love in cinema. His work on Star Wars and Indiana Jones helped define how movies look and feel even today. For film buffs, it’s a moment to reflect on how much visionaries like him shaped storytelling. And for those touched by Alzheimer’s, it’s another sobering note on the toll of the disease.

The Final Destination franchise turns 25 this year, and it’s still one of the most unique horror series out there. Unlike slasher flicks with masked killers, this one pits its characters against an invisible force—death itself—with creative, gruesome twists. The article argues that the original 2000 film, directed by James Wong, remains the best of the bunch, even after six movies.

Editor’s Note: Horror fans love debating which franchise entries hold up, and Final Destination’s premise—death as the unseen villain—still feels fresh decades later. This piece taps into nostalgia while making a case for why the first film’s simplicity and tension outshine its sequels. For genre buffs, it’s a fun read that sparks memories of those infamous death scenes.

Reality TV stars Colleen Reed and Matt Bolton, who met and got engaged on Netflix’s Love Is Blind, have called it quits after nearly four years of marriage. The couple shared the news in an emotional social media post, revealing they’d already been living apart for a while. Fans of the show might feel a pang—their whirlwind romance was one of the more memorable moments from the series.

Editor’s Note: Another reality TV love story bites the dust, and it’s a reminder that the pressure of fame (and maybe those Love Is Blind pods) doesn’t always set couples up for long-term success. For fans, it’s a bummer—these two seemed genuinely smitten. But it also sparks the bigger conversation about how sustainable these TV romances really are.

Neon, the indie film powerhouse behind hits like Parasite, is snagging the rights to Arco, an animated feature starring Natalie Portman. The film, which premiered at Cannes, is being hailed as France’s answer to Studio Ghibli—think whimsical time-travel adventures where a boy uses rainbows to hop through eras but gets stuck along the way. Directed by Ugo Bienvenu, it’s shaping up to be a visually stunning, imaginative ride.

Editor’s Note: Animated films with bold artistic visions are having a moment, and Arco could be the next big crossover hit. Neon’s involvement signals confidence in its appeal, while the Ghibli comparisons hint at something magical in the works. For animation fans—or anyone who loves a good, fantastical story—this is one to watch.