Aamir Khan's 50-25-25 fitness formula

The iconic Glastonbury Festival is winding down, and now comes the not-so-glamorous part—thousands of tired but happy festival-goers packing up their tents and heading home. Expect traffic jams and crowded trains as everyone makes their exit from Worthy Farm.

Editor’s Note: Glastonbury isn’t just about the music—it’s a logistical beast. The post-festival scramble affects local transport and roads, reminding us that even the most magical events have a messy cleanup phase. If you’re in the area, maybe avoid the roads for a bit!

UK Prime Minister Keir Starmer slammed punk band Bob Vylan for their controversial chants at Glastonbury, where they called for the death of Israel’s military. Starmer didn’t mince words, labeling it "hate speech" and condemning the rhetoric as "appalling."

Editor’s Note: This isn’t just about a band’s lyrics—it’s a flashpoint in the wider debate over free speech, political protest, and where the line gets drawn. Starmer’s strong reaction signals how charged discussions around Israel-Palestine have become, especially in public spaces like music festivals. It also puts artists in the spotlight, forcing a conversation about whether their platforms should amplify extreme views.

Korean entertainment giant CJ ENM is diving headfirst into AI-powered content creation, debuting Cat Biggie—a fully AI-generated animated short—and announcing plans to expand into AI-produced films and dramas this year. The move signals a bold bet on AI’s role in storytelling, with the studio behind Parasite framing it as a transformative shift across their entire creative pipeline.

Editor’s Note: This isn’t just another tech demo—it’s a major studio betting that AI can handle creative heavy lifting, from animation to scripts. If CJ ENM pulls it off, it could reshape how content gets made (and who—or what—makes it). For audiences, it might mean faster, weirder, or cheaper shows, but for creatives, it raises big questions about the future of human-driven art. Either way, the entertainment industry just got a jolt.

Acclaimed director Stephen Frears and writer Christopher Hampton opened up about their stalled adaptation of Mr Wilder & Me—a passion project they’re still determined to revive despite funding hurdles. The duo, reuniting for a Dangerous Liaisons screening and career honors, also hinted at a potential Ian Charleson biopic. Frears didn’t sugarcoat the challenges: "It’s a difficult time for finding money," he admitted, but their creative partnership remains alive.

Editor’s Note: Even heavyweights like Frears and Hampton aren’t immune to the financial crunch hitting indie films. Their candid talk about money woes sheds light on broader struggles in getting arthouse projects greenlit—while teasing future collaborations film buffs won’t want to miss.

The teaser for Sarzameen has dropped, and it looks like a high-stakes action-drama set in the tense, conflict-ridden landscape of Kashmir. Prithviraj Sukumaran stars as an army officer fighting terrorism, while Kajol plays his wife—her role seems layered, suggesting emotional complexity. The real surprise? Ibrahim Ali Khan, making a sharp pivot from his debut role to play a chilling villain. With its intense visuals and Kashmir backdrop, this one’s shaping up to be a gritty, edge-of-your-seat story.

Editor’s Note: Kashmir-set stories often carry heavy political and emotional weight, and Sarzameen seems to lean into that while delivering big-screen thrills. Prithviraj’s action chops and Kajol’s return to a dramatic role are draws, but Ibrahim’s villainous turn is the wild card—could this be his breakout moment? For Bollywood fans, it’s a fresh mix of star power and a gripping premise.