Rock On! Full Trailer for 'Spinal Tap II: The End Continues' Doc Sequel

AMC has officially announced that The Walking Dead: Daryl Dixon will return for a fourth season—but it’ll also be the last. The show’s next chapter might take the fan-favorite character (played by Norman Reedus) to Spain, with Melissa McBride’s Carol along for the ride. While this marks the end of Daryl’s current spinoff, the door isn’t entirely closed for future appearances.

Editor’s Note: For fans of The Walking Dead universe, this is bittersweet news. Daryl’s solo journey is wrapping up, but at least there’s one more season to look forward to—and the possibility of more stories down the road. It’s a reminder that even in a franchise as sprawling as TWD, nothing lasts forever… except maybe zombies.

AMC just dropped a big update for The Walking Dead fans—Daryl Dixon is coming back for a fourth season, but it’ll be the last one. The announcement came during the show’s panel at San Diego Comic-Con, with filming kicking off this month in Spain. Expect more zombie-slaying action across scenic backdrops like Madrid, Bilbao, and Andalucía.

Editor’s Note: For fans invested in Daryl’s post-apocalyptic journey, this is bittersweet news. A final season means closure (and hopefully a satisfying sendoff), but it’s also the end of an era for one of TWD’s most beloved characters. The Spain filming adds fresh visuals, so at least the show’s going out with a bang—not a whimper.

GloRilla, the Memphis rapper who skyrocketed to fame with hits like "F.N.F. (Let’s Go)," is back in the headlines—but this time for less celebratory reasons. Her recent arrest has put her under scrutiny, adding another layer to her already polarizing rise. This piece breaks down her journey, from Southern rap scenes to national stages, while addressing the controversies that keep following her.

Editor’s Note: GloRilla’s story isn’t just about music—it’s about how fast success can collide with personal and legal struggles. For fans, it’s a reminder of the pressures young artists face; for critics, it fuels debates about accountability in hip-hop. Either way, her trajectory reflects bigger conversations about fame, missteps, and second chances.

Marvel’s Fantastic Four: First Steps is off to a strong start at the box office, pulling in an estimated $56 million on Friday and heading toward a $125 million opening weekend. The film’s performance is drawing comparisons to Superman’s debut, with family audiences expected to boost ticket sales even further over the weekend—typical for Marvel’s first big family-centric superhero team.

Editor’s Note: This isn’t just another superhero movie—it’s Marvel’s reintroduction of one of comics’ most iconic teams, and the strong opening suggests audiences are eager to embrace it. A big debut like this could set the tone for future Marvel releases, especially as the studio leans into its "first family" dynamic. For Disney, it’s a reassuring sign that superhero fatigue hasn’t fully sunk in yet.

This weekend was a rare opportunity for indie films to shine, with no major releases from powerhouse indie distributors like A24 or Neon, and only one big studio movie (The Fantastic Four: First Steps) dominating the box office. Smaller distributors seized the moment, pushing films like Oh, Hi!, Diciannove, Folktales, and House on Eden into the spotlight. It’s a refreshing break in a summer otherwise packed with blockbusters, giving indie cinema a chance to grab some attention.

Editor’s Note: Indie films often struggle to compete with big-budget releases, but this weekend’s quieter lineup gave them a rare opening. For moviegoers tired of superheroes and sequels, it’s a chance to discover something fresh—and for indie filmmakers, it’s a shot at reaching a wider audience. Moments like this remind us why a diverse film landscape matters.