Mannara and Mitali at Mumbai airport after father’s demise

R. Kelly, the disgraced singer currently serving a lengthy prison sentence for sex crimes, is pushing harder for temporary release after a recent reported overdose and hospitalization. His legal team seems to be framing this as a health-related plea, though skepticism remains high given his convictions and past behavior.

Editor’s Note: Kelly’s latest bid for freedom—citing health concerns—adds another layer to his ongoing legal saga. While medical emergencies are serious, many will question whether this is a genuine crisis or a strategic move. Either way, it keeps his controversial name in the headlines, reminding the public of the unresolved tension between his legal battles and the victims’ demand for justice.

Late-night host Stephen Colbert couldn’t resist poking fun at Donald Trump’s military parade, which reportedly had lackluster attendance on the former president’s 79th birthday. Colbert’s jokes highlighted the contrast between Trump’s grand expectations and the reality of sparse crowds.

Editor’s Note: This isn’t just about a late-night punchline—Colbert’s bit taps into the broader narrative of Trump’s public perception. Low turnout at a self-celebratory event feeds into criticisms of his fading influence, making it a talking point for both critics and supporters. For political junkies, it’s another chapter in the ongoing spectacle of Trump’s post-presidency.

Brad Pitt’s new F1 movie F1 is all flash and little substance, according to this review. While it nails the high-octane atmosphere of real Formula One races—thanks to director Kosinski filming actual events—it skimps on explaining the sport’s basics, leaving casual viewers in the dust. The racing scenes are chaotic and disjointed, making it hard to follow the strategy or stakes. Pitt brings his usual charisma, but the film feels more like a glossy highlight reel than a deep dive into the world of F1.

Editor’s Note: For F1 fans, this might be a visual thrill, but for everyone else, it’s a missed opportunity. Movies about niche sports live or die by how well they welcome newcomers—and this one seems to shrug and assume you’re already obsessed with tire changes and podium finishes. If you’re hoping for Rush but get Fast & Furious without the fun, that’s a problem.

Pixar's new sci-fi flick Elio has finally landed, but it’s not quite the movie fans were expecting. The trailers from last year painted one picture, but the actual film feels like a different story altogether—and not necessarily in a good way. Even without comparing it to the hype, something about it just doesn’t click.

Editor’s Note: Pixar’s reputation for storytelling magic means every new release comes with sky-high expectations. When a film feels disjointed or fails to deliver on its promise, it’s a letdown—especially for audiences who’ve been waiting years for it. This review hints at creative missteps, which could signal trouble for a studio already facing scrutiny over recent hits and misses.

Even the king of horror gets nervous about looking silly—Stephen King admitted he’s afraid his latest film adaptation, The Life of Chuck, might come off as corny thanks to an unexpected five-minute dance sequence. It’s a rare peek into the creative vulnerability of a legend who usually thrives on scaring others.

Editor’s Note: It’s refreshing to see a cultural icon like King openly fret over something as relatable as seeming "corny." The story highlights how even seasoned creators grapple with self-doubt, especially when stepping outside their usual lane (in this case, horror). Plus, a dance sequence in a King adaptation? That’s bound to spark curiosity—and maybe a few chuckles.