La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
NegativeEntertainment
- A new version of Puccini’s opera La Rondine was performed at Barbican Hall in London, featuring Carlo Rizzi and the BBC Symphony Orchestra, with Ermonela Jaho as Magda and Iván Ayón-Rivas as Ruggero. This edition presents Puccini’s preferred 1921 revision, which alters the opera's conclusion, diverging from the original 1917 premiere version where Magda leaves Ruggero for his future happiness.
- The performance highlights the ongoing evolution of Puccini's works, as this revised version aims to align more closely with the composer’s final intentions. However, the reception has been mixed, with critics noting that the new interpretation leaves a bitter aftertaste rather than the intended sweetness.
- This development reflects broader discussions in the opera community regarding the fidelity to original compositions versus modern interpretations. While some productions, like Herbert Ross' La Bohème, continue to enjoy acclaim and popularity, the reception of La Rondine underscores the challenges faced by operatic revivals in balancing artistic vision with audience expectations.
— via World Pulse Now AI Editorial System