‘Fantastic Four’ First Reactions Praise “Immaculate” VFX & “Pitch-Perfect Script”: “One Of The Best Things Marvel Has Ever Made”

Paris-based film company Totem—known for handling hits like Compartment No. 6 and The Hypnosis—just snagged global sales rights for Follies, a raunchy comedy about open relationships. The film, set to debut at Switzerland’s prestigious Locarno Film Festival, marks the hotly anticipated feature debut of Montreal screenwriter Éric. Expect bold humor and unflinching honesty about modern love.

Editor’s Note: Another edgy, conversation-starting film is hitting the festival circuit, and Totem’s involvement suggests it’s got serious potential. With open relationships becoming more visible in pop culture, Follies could spark debates—or at least some wild post-screening discussions. Plus, Locarno’s stamp of approval means it’s one to watch for indie film fans.

Bollywood star Ajay Devgn has a history of box office clashes—some turning into big wins, others not so much. His film Son of Sardaar 2 was recently delayed because of another movie's (Saiyaara) success, showing how studios juggle release dates to avoid competition. It’s a reminder that even A-listers like Devgn can’t always predict what’ll work, and these days, strong content can overshadow star power.

Editor’s Note: Release date clashes aren’t just drama—they’re strategic moves in a cutthroat industry. Devgn’s track record shows how unpredictable box office battles can be, and how studios are adapting to an era where good storytelling sometimes beats big names. For fans, it’s a peek behind the curtain of how movies fight for attention (and money).

Kireeti Reddy's debut film Junior, a Telugu-Kannada bilingual, pulled in a respectable ₹5.40 crore over its first weekend. While critics were split, audiences turned up in growing numbers—Sunday was its strongest day. The movie, co-starring Sreeleela and Genelia D’Souza, seems to be finding its footing despite stiff competition.

Editor’s Note: For a newcomer like Kireeti Reddy, a solid opening weekend is a big deal—it suggests the film has legs, even if reviews are mixed. In India’s crowded movie market, holding your own against bigger releases is no small feat. This could signal a promising start for Reddy’s career and a win for mid-budget regional cinema.

Filmmaker Gopi Nainar is in hot water after his former assistant, Rajkamal, accused him of unpaid wages, workplace bullying, and intentionally sabotaging his career. Rajkamal claims Nainar isolated him from industry connections and even intimidated other assistants. The situation escalated to the point where politician Thol Thirumavalavan reportedly called out Nainar. Now, Rajkamal is pursuing legal action and demanding protection for his family.

Editor’s Note: This isn’t just about unpaid wages—it’s a stark reminder of the power imbalances in the film industry, where assistants and junior crew often have little recourse against mistreatment. If these allegations hold up, it could spark wider conversations about accountability in entertainment workplaces.

Bollywood legend Amitabh Bachchan recently spilled the beans on co-star Akshay Kumar’s notorious on-set pranks during the filming of Waqt: The Race Against Time. Apparently, the crew had to stash their valuables to avoid falling victim to his mischief. But it wasn’t all fun and games—Akshay also opened up about the emotional weight of the film, which reminded him of losing his father during the making of Jaanwar. He later distributed Waqt in Mumbai, adding a personal touch to its release.

Editor’s Note: This story offers a lighthearted yet poignant glimpse into the camaraderie and personal struggles behind the scenes of Bollywood films. It humanizes big stars like Akshay Kumar, showing how even playful antics coexist with deeper emotional moments—something fans rarely get to see. Plus, it’s a fun reminder that even legends like Bachchan aren’t immune to a good prank.