Rachel Griffiths Says ‘Older Women Are Having a Moment,’ Gushes Over ‘The Last Showgirl’ and Jamie Lee Curtis ‘Dancing on That F—ing Table’: ‘I Was in Awe of That Girl!’

Hera Pictures, the production company behind the BBC’s acclaimed What It Feels Like for a Girl, just scooped up the rights to adapt Nothing Good Happens After 2am—a novel diving into London’s ultra-competitive, high-end cocktail scene. The book, by Irish writer Niamh Hargan, is set to become a TV series, marking another buzzy project for the team fresh off their recent success.

Editor’s Note: If you loved What It Feels Like for a Girl, this is a sign Hera Pictures is doubling down on sharp, stylish storytelling—this time with a splash of mixology drama. The move also shines a light on Hargan’s rising star as an author, and hey, who wouldn’t want a peek behind the curtain of London’s glitzy, cutthroat bar world? It’s a win for book fans and TV junkies alike.

Paramount+, Gaumont, and Fremantle are joining forces to produce The Revenge Club, a new UK thriller series based on J.D. Pennington’s debut novel The Othello Club. The show boasts a star-studded cast, including Line of Duty’s Martin Compston and Slow Horses’ Aimée-Ffion Edwards, playing leads Calum and Emily. The story follows six strangers entangled in a high-stakes revenge plot—expect twists, tension, and top-tier performances.

Editor’s Note: This is a big deal for thriller fans—it’s not just another crime drama, but a fresh adaptation with serious talent behind it. Compston and Edwards have serious cred in the genre, and with Paramount+ backing it, the series could become a must-watch. Plus, it’s another win for book-to-screen adaptations, proving publishers and streamers are still betting big on literary thrillers.

Two buzzy films from SXSW—the sci-fi action flick Redux Redux and the female-led horror The Surrender—just landed major international distribution deals thanks to Blue Finch Films. Both movies, which got rave reviews at the Austin festival, are now racking up sales across multiple regions while continuing their festival tours.

Editor’s Note: For indie film fans, this is a win—it means these genre-bending titles (one a high-octane sci-fi ride, the other a fresh take on horror) will likely hit screens worldwide soon. For the industry, it’s a sign that festivals like SXSW and Cannes are still launchpads for unconventional stories to find global audiences.

Kids in Bradford are absolutely buzzing about Sing Dance Leap, a dazzling new performance that’s part of the city’s City of Culture celebrations. The show is a groundbreaking mashup of talent from the Royal Ballet, Opera North, and Northern Ballet—and from the sounds of it, the young audience members are loving every minute.

Editor’s Note: This isn’t just another arts event—it’s a big deal for Bradford, showcasing how cultural investments can light up a community, especially for kids who might not usually get front-row seats to world-class performances. When major institutions team up like this, it’s a win for local pride and the next generation of arts lovers.

Netflix is teaming up with French broadcaster TF1 in what it calls a "new kind of partnership." Starting next summer, Netflix users in France will get access to TF1’s live channels and on-demand content directly through the platform. While the financial details are under wraps, this deal marks a notable shift in how traditional TV and streaming services collaborate—blurring the lines between linear and on-demand viewing.

Editor’s Note: This isn’t just another content deal—it’s a sign of streaming giants like Netflix cozying up to traditional broadcasters to stay ahead. For viewers, it means more convenience (one less app to juggle), but for the industry, it’s a hint at where TV is headed: a future where live and streaming aren’t rivals, but roommates. If this works, don’t be surprised if similar deals pop up elsewhere.