India’s National Film Development Corporation (NFDC) is stepping into the spotlight with big plans to push Indian cinema onto the global stage. As it celebrates 50 years, the government-backed agency is going all-in on digital upgrades—think AI-powered film restoration and deals with major streaming platforms—to make sure the world sees more of India’s rich film culture. Led by new managing director Prakash Magdum, this could be a game-changer for how international audiences discover Bollywood and beyond.

Editor’s Note: Indian cinema has long been a powerhouse, but it’s often struggled to break through globally outside of niche audiences. If the NFDC’s tech-driven strategy works, it could mean more Indian films reaching wider audiences, preserving classics, and maybe even reshaping how streaming platforms curate world cinema. For film buffs, it’s an exciting step toward bridging the gap between local storytelling and global viewership.

The Zurich Film Festival is making a big move to elevate its status, with its director Christian Jungen leading a management buyout. He’s teaming up with deputy director Reta Guetg and Swiss entrepreneur Max Loong to take the festival—already gaining clout in the industry—to new heights. This shift signals ambitious plans to compete with the world’s top-tier film events.

Editor’s Note: Zurich’s film scene is stepping into the spotlight. A director-led buyout suggests a fresh, ambitious vision for the festival, which could mean bigger films, bigger names, and more global attention. For film buffs and industry players, this could turn Zurich into a must-watch destination on the festival circuit.

Anurag Basu's new romantic drama Metro... In Dino, starring Aditya Roy Kapur and Sara Ali Khan, has hit theaters—but early ticket sales are underwhelming. The film is up against stiff competition, including Jurassic World: Rebirth and other existing releases. Its fate now hinges on whether audiences spread positive word-of-mouth to boost its box office performance.

Editor’s Note: Bollywood watchers are keeping a close eye on this one. A slow start doesn’t always mean disaster, but with big-budget franchises like Jurassic World dominating screens, smaller films like Metro... In Dino need a strong audience response to stay afloat. If it doesn’t pick up steam, it could signal tougher times for mid-budget romantic dramas in a market increasingly driven by spectacle.

Brad Pitt revealed that a planned racing movie with Tom Cruise, Ford v Ferrari, was scrapped after Cruise learned his role wouldn’t involve much actual driving. Meanwhile, Pitt is now eyeing a sequel to his recent F1 film, which had a strong $144 million global debut. He joked about wanting more wheel time in the next installment, saying, "I would want to drive again, selfishly speaking."

Editor’s Note: Hollywood’s behind-the-scenes drama can be just as gripping as what ends up on screen. This tidbit about Cruise’s exit—over something as specific as driving time—shows how star power and personal preferences shape big projects. And with Pitt’s F1 sequel talks already buzzing, it’s a reminder that hit movies today are rarely one-offs; studios want franchises, and actors want roles that rev their engines (literally, in this case).