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28 Years Laterin Entertainment
4 hours ago

Excitement builds as '28 Years Later' debuts with strong box office numbers, while Danny Boyle reflects on filmmaking risks and nostalgia. Landmark deals and anniversaries highlight industry growth and evolution.

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International Insider: ’28 Years Later’ Arrives; Landmark Netflix-TF1 Deal; NHK At 100
positiveEntertainment
This week’s International Insider covers a mix of entertainment and media milestones. The long-awaited zombie sequel 28 Years Later is finally here, promising even more chaos than its predecessors. Meanwhile, Netflix and French broadcaster TF1 struck a major deal that could reshape European streaming, and Japan’s NHK celebrates its 100th anniversary. The newsletter also highlights key stories from France and Spain, making it a packed update for media and film buffs.
Editor’s Note: Whether you’re a film fan excited for the next chapter in a cult franchise or a media watcher tracking industry shake-ups, this week’s developments are big deals. The Netflix-TF1 partnership signals more cross-border collaborations in streaming, while NHK’s centennial reminds us of public broadcasting’s enduring role. And, of course, zombies never go out of style—especially when they’re back with a vengeance.
‘You’d never make Slumdog today’: Danny Boyle on risks, regrets and returning to the undead
neutralEntertainment
Danny Boyle reflects on his career, cultural shifts, and his new zombie film 28 Years Later, where a post-Brexit Britain is depicted as a desolate wasteland. He admits certain films like Slumdog Millionaire might not get made today due to changing sensitivities, while also praising younger generations as an "upgrade." The interview touches on his creative risks, regrets, and how modern anxieties shape his storytelling.
Editor’s Note: Boyle’s candid thoughts offer a glimpse into how filmmakers navigate today’s cultural landscape—baltering artistic vision with shifting norms. The dystopian setting of his new film isn’t just about zombies; it’s a darkly humorous (or uncomfortably close) mirror of post-Brexit Britain, making it relevant beyond just horror fans. Plus, his take on generational change adds a hopeful twist to the chaos.
’28 Years Later’ $5M+, ‘Elio’ $2.5M-$3M Previews – Thursday Night Box Office
neutralEntertainment
Sony’s 28 Years Later is off to a strong start, pulling in over $5 million in Thursday night previews—a solid number for the horror sequel. Meanwhile, Pixar’s Elio is trailing with a quieter $2.5–$3 million. The article cautions against comparing 28 Years Later to Final Destination: Bloodlines, another recent horror hit, since horror films tend to have front-loaded earnings (big opening nights but quicker drop-offs).
Editor’s Note: Early preview numbers give us a sneak peek at how these films might perform over the weekend. 28 Years Later is showing promise, but horror movies often fade fast after opening night. Elio, on the other hand, might be a slower burn—family films often build momentum. For studios, these numbers help gauge marketing success; for audiences, it’s a hint at what’s worth catching in theaters.
Brainy and bizarre, '28 Years Later' shows a zombie series running into dark, strange territory
neutralEntertainment
Danny Boyle and Alex Garland are back with 28 Years Later, the latest installment in their zombie franchise, and it’s shaping up to be a wild, unpredictable ride. The film introduces a fresh twist with late-game appearances by Ralph Fiennes and Jack O’Connell, injecting new energy into the series. While it’s still packed with the brainy, unsettling vibes fans expect, this one veers into even darker and weirder territory—suggesting the trilogy might take some bold, messy risks.
Editor’s Note: Zombie movies aren’t just about mindless gore anymore—this franchise has always mixed horror with sharp social commentary. If 28 Years Later keeps pushing boundaries, it could redefine what a zombie story can be (or just crash gloriously). Either way, it’s a sign that the undead still have some fresh nightmares to offer.
Why ’28 Years Later’ Is Unlike Most Sequels
positiveEntertainment
Danny Boyle's 28 Days Later revitalized the zombie genre in 2002 with its frenetic "rage virus" twist, proving undead stories still had bite. Now, 28 Years Later is shaping up to defy sequel conventions—whether by reinventing the formula or doubling down on what made the original terrifying. The article hints that this isn’t just another cash-grab follow-up but something fresh (or gruesomely familiar) enough to matter.
’28 Years Later’: Watch Trailer, See Release Date, Cast & More
positiveEntertainment
The long-awaited sequel to the cult horror hit 28 Days Later is finally here—well, almost. Titled 28 Years Later, this third installment in the franchise has just dropped its trailer, revealing the release date, cast, and a fresh wave of zombie chaos. If you’re a fan of the original’s gritty, fast-paced terror, this one’s got your name on it.
’28 Years Later’ Duo Danny Boyle and Alex Garland Break Down That Cliffhanger, the Next Two Movies and the Studio’s Reaction to Extreme Gore and Nudity
positiveEntertainment
The creative team behind the iconic 28 Days Later—director Danny Boyle, writer Alex Garland, and cinematographer Anthony Dod Mantle—are back with 28 Years Later, diving into the franchise’s brutal, high-stakes world once more. In this interview, they unpack the film’s cliffhanger, tease plans for two more movies, and share how the studio reacted to the film’s unflinching gore and nudity. If you loved the original’s raw intensity, this sequel (and its potential follow-ups) seems poised to deliver more of that signature chaos.
Editor’s Note: For fans of the original 28 Days Later, this isn’t just another sequel—it’s a reunion of the minds that made the first film so groundbreaking. Their return suggests a commitment to the franchise’s gritty roots, while the tease of a two-movie plan hints at a bigger story in the works. Plus, their candid talk about pushing boundaries with gore and nudity signals they’re not softening the blow for mainstream appeal. If you’re into visceral, thought-provoking horror, this is worth paying attention to.

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