If you loved David Berry in Outlander or A Place to Call Home, get ready to see him in something completely different. He’s lined up to star in Something Blue, an R-rated wedding comedy directed by Gary Sinyor (who helmed The Bachelor back in 1999). The film, which is based on Sinyor’s own life, is still in the funding stage, but it’s shaping up to be a raunchy, irreverent take on wedding chaos—think Bridesmaids meets The Hangover.

Editor’s Note: Wedding comedies are a dime a dozen, but an R-rated one with a Bachelor director and a fan-favorite actor like Berry could bring fresh energy to the genre. For Outlander fans, it’s a chance to see Berry flex his comedic chops, and for movie buffs, it’s a sign that Sinyor—who’s been quiet in Hollywood for years—might be making a comeback. If the financing comes through, this could be a fun, edgy addition to the rom-com landscape.

A killer cast—including Julie Benz, Busy Philipps, Ron Perlman, and Jim Rash—is teaming up for Horrified, a horror-comedy about a washed-up scream queen (Benz) who gets dragged back into the convention scene for quick cash. But things take a bloody turn when the iconic pig-masked killer from her old franchise starts using her fandom against her. Think meta-horror meets dark humor, with a dash of Hollywood irony.

Editor’s Note: Horror-comedies are having a moment, and this one’s got both star power and a clever premise—tapping into nostalgia while poking fun at the genre’s tropes. For fans of Scream or The Final Girls, this could be a fresh, self-aware twist on the slasher flick. Plus, Perlman in a horror movie? Always a win.

Tandem Pictures, led by Julie Christeas, is breaking new ground by developing Great Northern—a project that’s both a live-action video game and an indie film, shot using the same footage. Megan Suri (Never Have I Ever, Companion) stars in this ambitious dual-format experiment, which promises a bold narrative. It’s a rare hybrid approach, blending gaming and cinema in a way that could shake up both industries.

Editor’s Note: This isn’t just another game-to-movie adaptation—it’s a creative gamble that could redefine how stories are told across mediums. If it works, it might inspire more cross-platform projects, giving audiences new ways to engage with narratives. For gamers and film buffs alike, it’s a fascinating experiment to watch.

California just greenlit $96 million in tax incentives for 48 new film projects, including a sequel to One of These Days (produced by Issa Rae), a Heidi Fleiss biopic, an untitled Netflix project, and Ang Lee’s Gold Mountain. Governor Gavin Newsom’s push to expand the state’s film and TV tax credit program to $750 million annually is inching closer to reality—good news for Hollywood productions looking to stay in California.

Editor’s Note: This is a big win for California’s entertainment industry. With other states and countries offering hefty incentives, these tax breaks help keep big productions—and jobs—local. It’s also a sign that California is doubling down on its Hollywood roots, even as streaming and global competition reshape the business.

Oscar-winning producer Daniel Dreifuss, known for All Quiet on the Western Front and Pablo Larraín’s No, is teaming up with director John Krokidas (Kill Your Darlings) for a limited series adaptation of Edmund White’s groundbreaking 1982 novel A Boy’s Own Story. The book, a coming-of-age classic about a young gay man’s self-discovery, is getting the prestige treatment with heavy-hitting talent behind it.

Editor’s Note: Edmund White’s novel was a trailblazer in queer literature, and this adaptation—backed by an Oscar-winning producer—could bring its emotional depth and cultural significance to a wider audience. With Dreifuss’s track record and Krokidas’s flair for intimate storytelling, this project has serious potential to resonate, especially as LGBTQ+ narratives continue gaining mainstream attention.

California just greenlit 48 films and TV projects for its tax credit program, a mix of big studio blockbusters and indie flicks. The state film commission estimates these productions will pump over $302 million into local paychecks—good news for crew members, actors, and behind-the-scenes workers.

Editor’s Note: This isn’t just about Hollywood glam—it’s a jobs boost. Tax incentives keep productions (and paychecks) in California instead of losing them to cheaper states or countries. For local economies, that’s real money hitting bank accounts, from carpenters to caterers. Plus, it helps the state hold onto its "entertainment capital" crown.

The first trailer for Splitsville just dropped, and it’s giving us a glossy, dramatic peek into a marriage on the rocks. Starring Dakota Johnson and Adria Arjona, the film follows a couple (played by Kyle Marvin and Arjona) whose one-year marriage hits a breaking point when Ashley asks for a divorce—sending Carey into a tailspin. Directed by Michael Angelo Corvino (The Climb), this looks like a stylish, emotionally charged take on modern love and the messiness of splitting up.

Editor’s Note: Breakup stories are everywhere, but Splitsville seems to be aiming for something sharper—think less rom-com, more raw, relatable drama. With a buzzy cast and Corvino’s indie cred, this could be a standout in the crowded relationship-meltdown genre. Plus, let’s be honest: who doesn’t love watching beautiful people navigate emotional chaos on screen?

Pixar's latest original film, Elio, tanked at the box office, adding to the studio's growing list of underwhelming non-sequel releases. While their follow-ups (like Inside Out 2) still crush records, fresh ideas just aren’t connecting with audiences the way they used to.

Editor’s Note: Pixar built its reputation on groundbreaking originals—Toy Story, Up, Wall-E—but lately, audiences only seem to care about the sequels. If even Disney’s animation powerhouse can’t sell something new, it raises big questions about originality in Hollywood’s risk-averse era. Are studios (and viewers) too hooked on familiar brands to take chances anymore?

Danny Boyle and Alex Garland are back with 28 Years Later, a sequel that revives their iconic zombie universe with fresh twists—think political undertones, terrifying pregnant zombies, and a cliffhanger ending that’s already sparking debates. The film sets up a new trilogy, but fans are left dissecting its deeper meanings and where the story might go next.

Editor’s Note: Zombie movies aren’t just about gore—they’ve always mirrored societal fears, and this sequel seems to crank that up a notch. With Boyle and Garland reuniting, it’s a big deal for horror fans, especially since the original 28 Days Later redefined the genre. The weird, bold choices here suggest this trilogy could be just as influential.