The Guadalajara International Film Festival (FICG) is kicking off its 40th edition with a historic twist—Mexico’s first-ever stop-motion animated feature, I Am Frankelda, is opening the event. Running from June 6-14, the festival is also introducing a fresh genre sidebar, spotlighting five films, including Pablo Stoll’s zombie dramedy Summer Hit. It’s a big moment for Mexican cinema and a nod to the festival’s growing influence in showcasing diverse storytelling.

Editor’s Note: This isn’t just another film festival—it’s a celebration of Mexican creativity hitting new milestones. I Am Frankelda making history as the country’s first stop-motion feature signals a bold step for animation in Mexico, while the new genre section shows the festival’s commitment to pushing boundaries. For film buffs, it’s a chance to see emerging trends and fresh voices in Latin American cinema.

Laika, the studio behind beloved stop-motion films like Coraline and Kubo and the Two Strings, just snagged Dave Kajganich—the writer behind Suspiria and Bones and All—to adapt Piranesi, Susanna Clarke’s bestselling fantasy novel. Travis Knight (Bumblebee, Kubo) is directing, and given Kajganich’s track record with dark, atmospheric stories, this could be a perfect match.

Editor’s Note: Laika’s known for pushing stop-motion animation into bold, artistic territory, and Piranesi—a surreal, labyrinthine novel—fits right in. Kajganich’s involvement suggests they’re aiming for something moody and sophisticated, not just kid-friendly. For fans of Clarke’s book or Laika’s past work, this is a promising sign that the adaptation’s in thoughtful hands.

Aamir Khan just dropped some exciting news for Bollywood fans—Sarfarosh 2 is officially in the works! He’s being cautious, though, stressing that the script needs to be rock-solid before moving forward. The original 1999 film, a hit with critics and audiences alike, was a gritty action-thriller that’s still remembered fondly. While we wait for more details, Aamir’s next project, Sitaare Zameen Par, is set to hit theaters in mid-2025.

Editor’s Note: For fans of classic Bollywood thrillers, this is a big deal. Sarfarosh was more than just a box-office success—it tackled themes of patriotism and terrorism in a way that felt fresh for its time. A sequel, especially with Aamir’s reputation for quality, could reignite that same energy. Plus, it’s a reminder that Khan isn’t slowing down, even as he balances multiple projects. If the script lives up to the hype, this could be one of 2025’s (or beyond) most anticipated releases.

Sony and Creo just dropped the list of winners for the 2025 Sony Future Filmmaker Awards, spotlighting fresh talent across genres. Rossana Montoya snagged the fiction prize for Columbia, Juliet Klottrup won in non-fiction for Travelling Home, while Santiago O’Ryan and José Navarro took animation with Hermanos Casablanca. Hayder Hoozeer and Franz Böhm rounded it out with Rock Paper Scissors in their category.

Editor’s Note: Awards like this aren’t just about trophies—they’re a launchpad for indie filmmakers and a sneak peek at the stories (and styles) that might shape cinema’s future. For audiences, it’s a heads-up on new voices worth watching. For the industry, it’s proof that big names like Sony are betting on fresh talent. Win-win.

Kevin Smith’s controversial 1999 comedy Dogma—once tangled in rights issues and nearly impossible to find—is finally getting its moment back in the spotlight. AMC Theatres is rolling out a 25th-anniversary re-release on 1,500 screens, and Smith himself is thrilled, calling it a redemption arc for both the film and his own disillusionment with Hollywood.

Editor’s Note: For years, Dogma was the movie that almost vanished—stuck in legal limbo, pulled from shelves, and whispered about by fans. This re-release isn’t just nostalgia; it’s a victory lap for Smith and a rare second chance for a film that challenged religion, ruffled feathers, and still found its audience. It’s a reminder that cult classics can outlast their controversies—and that sometimes, Hollywood does listen.

Amsterdam’s Piece of Magic Entertainment is doubling down on bringing anime to European theaters in 2025, with a standout 4K remaster of the iconic Akira leading the charge. Their slate mixes revered classics like Akira with fresh hits like Dan Da Dan: Evil Eye, betting big on the big-screen experience to grow their audience.

Editor’s Note: For anime fans in Europe, this is a win—more chances to see legendary films like Akira in crisp 4K and discover newer titles in theaters. It’s also a sign that distributors see anime as a thriving theatrical draw, not just a streaming niche. If this strategy pays off, it could mean even more anime hitting cinemas worldwide.

The 4K re-release of the beloved Malayalam action-comedy Chotta Mumbai, starring Mohanlal, is making waves on Twitter. Fans are raving about the upgraded experience—crisp visuals and immersive Dolby Atmos sound that breathe new life into the film’s chaotic, high-energy charm. It’s not just nostalgia; viewers say the remaster elevates the original’s fun factor.

Editor’s Note: Re-releases often feel like cash grabs, but when done right—like this—they can reignite love for a classic while introducing it to new audiences. For Malayalam cinema fans, it’s a chance to relive Chotta Mumbai’s magic with a modern twist, proving some films age like fine wine (or in this case, like a perfectly remastered punchline).

While the full Venice Film Festival lineup hasn't dropped yet, we've got an exciting early scoop: Jim Jarmusch's new film Father Mother Sister Brother, starring heavyweights Cate Blanchett and Adam Driver, is officially locked in for competition. Mubi's CEO spilled the beans at SXSW London, calling it a done deal.

Editor’s Note: This isn't just another festival slot—it's a big deal for cinephiles. Jarmusch's offbeat style plus A-list talent in competition at Venice signals a major awards-season contender in the making. And with Mubi (a streaming platform with serious indie cred) co-producing, it hints at how the lines between arthouse and mainstream are blurring. Keep an eye on this one.

Mubi’s CEO, Efe Cakarel, dropped some exciting news at SXSW London: Jim Jarmusch’s upcoming film Father Mother Sister Brother, starring heavyweights like Cate Blanchett and Vicky Krieps, will premiere in competition at the Venice Film Festival. Mubi isn’t just distributing this one—they’re co-producing it. Cakarel also hinted that the indie streaming platform is eyeing a move into series production, signaling bigger ambitions ahead.

Editor’s Note: For film buffs, this is a double win. Not only does it mean a new Jarmusch flick (always an event), but it’s also a sign that Mubi—a favorite for cinephiles—is flexing its muscles as more than just a streaming service. Their pivot toward producing original content, including series, could shake up how indie films and niche storytelling find audiences. Venice’s stamp of approval doesn’t hurt either.