Legendary news anchor Dan Rather didn't mince words when criticizing Paramount's $16 million settlement with the Trump administration over a controversial 60 Minutes report. Calling it a "sell-out to extortion," Rather framed the payout as a blow to journalistic integrity and a worrying precedent for media under pressure.

Editor’s Note: This isn't just about money—it's about whether powerful figures can financially strong-arm news outlets into backing down. If settlements like this become routine, investigative reporting could get even riskier, and that’s bad news for everyone who cares about holding power accountable.

Alicia Silverstone stars in Pretty Thing, a new thriller that taps into the nostalgia of '90s erotic thrillers like Basic Instinct. She plays a middle-aged businesswoman whose casual fling with a younger man takes a dark turn when he becomes dangerously obsessed. The film delivers some steamy moments but doesn’t quite reach the highs of its predecessors—think of it as a medium-heat throwback with a side of suspense.

Editor’s Note: If you’re craving a dose of old-school erotic thriller vibes—without the full-intensity shock factor—this might scratch the itch. It’s not groundbreaking, but Silverstone’s presence and the genre’s nostalgic appeal could make it a guilty pleasure for fans. Plus, it’s a reminder of how these films used to dominate the cultural conversation, for better or worse.

Some longtime members of the Hollywood Foreign Press Association (HFPA) are pushing to revive the organization after its assets—including the Golden Globes—were sold off two years ago. They’re clashing with the new owners, Dick Clark Productions and investor Todd Boehly’s Eldridge, over control and the future of the group.

Editor’s Note: The HFPA, once notorious for its lack of diversity and internal scandals, was supposed to be reformed after the sale. But now, old tensions are resurfacing, and this power struggle could muddy the waters for the Golden Globes’ comeback. For Hollywood, it’s another messy chapter in the awards show’s rocky revival.

Julie Bowen, known for her role as the love interest in the original Happy Gilmore, was genuinely shocked when Netflix invited her back for the sequel. She admitted on the Inside of You podcast that she assumed Hollywood would replace her with a younger actress—something she’s seen happen all too often. But to her surprise (and relief), they didn’t.

Editor’s Note: Bowen’s candid reaction highlights Hollywood’s often-unspoken ageism, especially toward women. Her return isn’t just a win for fans of the original—it’s a small but meaningful pushback against the industry’s tendency to sideline older actresses. Plus, it’s a fun reminder that some nostalgia projects actually get it right.

The courtroom was tense as the verdict for Sean "Diddy" Combs was delivered—so much so that audible gasps broke out when the jury announced their decision. Reporter Ethan Shanfeld, speaking on Variety's podcast, described the scene: Combs was convicted on two counts related to transporting someone for prostitution but cleared of sex trafficking charges. It’s a mixed outcome that leaves plenty of room for debate.

Editor’s Note: High-profile trials like this one don’t just affect the accused—they ripple through culture, sparking conversations about justice, celebrity accountability, and the legal system itself. Combs’ split verdict raises questions about what the partial guilt means for his reputation and career, not to mention the broader implications for similar cases. It’s a story that’s far from over.

Quinta Brunson, the creator and star of Abbott Elementary, is ready to explore new creative challenges beyond her beloved role as Janine Teagues. In a candid interview, she shared her excitement about future projects and hinted that some of her co-stars are also eager to branch out—though she didn’t suggest the show is ending anytime soon.

Editor’s Note: Brunson’s openness about her ambitions reflects a natural evolution for artists—even when they’re attached to hit shows. It’s a refreshingly honest take on creative growth, and fans might see her (and maybe the Abbott crew) in surprising new roles down the line. For now, though, it sounds like she’s just dreaming big while keeping things light.

Diddy’s legal team is calling the outcome of his trial a "great victory," despite a mixed verdict. The hip-hop mogul was convicted on two lesser charges related to prostitution but cleared of three more serious allegations. His lawyers criticized media coverage, claiming it misrepresented the case.

Editor’s Note: This isn’t a clean win or a total loss for Diddy—it’s somewhere in between. The split verdict keeps the story alive, fueling debates about media bias and the fairness of high-profile trials. For fans and critics alike, it’s another twist in a saga that’s far from over.

The second season of Nine Perfect Strangers wrapped up with guests at Nicole Kidman’s character Masha’s Alpine retreat finally confronting their deep-seated traumas. Kidman and co-star Mark Strong discuss how the finale delivers emotional closure—though not without plenty of twists along the way. If you haven’t watched yet, steer clear—this one’s packed with spoilers.

Editor’s Note: Finales can make or break a series, and this one seems to stick the landing by giving characters (and viewers) a satisfying resolution. For fans of psychological drama, Nine Perfect Strangers continues to dig into heavy themes—making it more than just another glossy thriller. Plus, with big names like Kidman involved, it’s a talking point for both TV buffs and casual viewers.

Brad Pitt shared some candid advice for up-and-coming actors during a chat on the "New Heights" podcast, warning them against getting swept up in Hollywood’s obsession with franchises and superhero roles. While promoting his new film F1, Pitt expressed both admiration and concern for young talent, urging them to avoid the pressure to chase blockbuster fame—joking (or maybe not) that those roles "will die." He didn’t name names, but his message was clear: prioritize artistry over commercial hype.

Editor’s Note: Pitt’s comments tap into a bigger debate about the state of acting today—where indie darlings and franchise stars often feel like two separate career paths. His take isn’t just industry gossip; it’s a reflection of how Hollywood’s blockbuster machine can overshadow smaller, riskier projects. For aspiring actors (or anyone navigating a creative field), it’s a reminder that success doesn’t have to mean fitting into the loudest, shiniest mold.