A new documentary, "When We Went MAD!", explores how MAD Magazine—with its iconic mascot Alfred E. Neuman—laid the groundwork for modern satire, influencing everything from The Daily Show to Airplane!. Packed with nostalgic anecdotes and sharp insights, it’s a love letter to the magazine’s subversive humor and a reminder of what’s often lacking in today’s digital comedy.

Editor’s Note: Satire today often feels disposable or algorithm-driven, but MAD’s legacy proves that sharp, timeless humor used to thrive in print. This doc isn’t just a nostalgia trip—it’s a nudge to ask why so much modern comedy lacks that same rebellious, smart-aleck spirit. If you’ve ever laughed at SNL or Jon Stewart, this story connects the dots.

The article slams The View for crossing a line from entertaining absurdity to outright frustration, particularly targeting co-host Sunny Hostin’s awkward interview with Kamala Harris. It criticizes the show for pushing conspiracy theories and fear-mongering, arguing that even its usual conservative critics—and "sane viewers" in general—are fed up.

Comedian Larry David and former President Barack Obama—an unlikely duo—are teaming up for an HBO Max sketch series about U.S. history. While they don’t seem to have much in common beyond their liberal politics, their collaboration highlights how left-leaning figures dominate pop culture, using humor and star power to shape narratives. The move might be inspired by viral political satire like SNL's George Washington sketch, but it’s also a savvy play to keep liberal messaging engaging and mainstream.

James Gunn's new "Superman" reboot tries hard to recapture the magic of the original with its classic score, but the film falls short. The story feels rushed and underwhelming, packed with forgettable dialogue that doesn't do justice to the iconic hero. While there are glimpses of charm, the overall effort feels more like a missed opportunity than a fresh take.

The article argues that a King of the Hill reboot could actually be a good thing, despite Hollywood’s track record of botching revivals. While most reboots either awkwardly politicize old favorites or strip them down to hollow brand recognition, the writer suggests this beloved animated sitcom—with its grounded humor and relatable characters—might just defy the trend.

James Gunn, director of the upcoming "Superman" movie, revealed a quirky behind-the-scenes tidbit on a podcast: To nail Superman’s Heartland authenticity, he sought advice from an unlikely source—Howard Stern’s team. Despite growing up in the Midwest himself, Gunn wanted extra insight into small-town Kansas vibes, turning to Stern’s show for its unexpected connection to Americana.

A conservative film critic argues that the new movie Heads of State includes subtle (or not-so-subtle) jabs at right-wing values, which he calls "sucker punches"—moments where Hollywood seemingly ambushes conservative viewers with ideological messaging. The article suggests these elements will frustrate right-leaning audiences who feel targeted by such storytelling choices.

Legendary filmmaker Terry Gilliam—best known for his surreal, boundary-pushing work with Monty Python—claims that Donald Trump’s presidency inadvertently shielded comedy from what he sees as the stifling grip of "woke" culture. Gilliam, never one to shy from controversy, argues that the Biden era has made satire riskier in Hollywood, to the point where he considered making a movie about it (tentatively titled Carnival at the End of…). His take? Trump’s chaotic, no-filter style kept humor alive by defying political correctness, while today’s climate, in his view, discourages edgy comedy.

This article pushes back against Charlize Theron's recent comments about the challenges of being a woman in Hollywood, particularly in action films. The author argues that while some grievances about industry sexism are valid, Theron—an A-list star with wealth and acclaim—exaggerates her struggles, embodying a "woke victim mentality" that's become trendy in Hollywood.