This article dives into an experimental approach to music composition that borrows concepts from niche programming languages like Supercollider, APL, and Forth. Instead of treating music as notes or melodies, it frames sound as pure mathematical structures—think of it as coding, but for audio. The discussion (linked via Hacker News comments) explores whether this could redefine how we create or understand music.

Editor’s Note: Most of us think of music as something emotional or intuitive, but this flips the script—it’s music as abstract logic. For programmers or avant-garde artists, that’s thrilling; for everyone else, it might sound like alien noise. Either way, it pushes boundaries, and that’s how weird new art forms get born.