Can ceramics be demonic? Edmund de Waal’s obsession with a deeply disturbing Dane

The GuardianTuesday, November 18, 2025 at 4:26:40 PM
Can ceramics be demonic? Edmund de Waal’s obsession with a deeply disturbing Dane
  • Edmund de Waal has created a new exhibition inspired by his decades
  • This development highlights the significance of Salto's impact on contemporary ceramics and de Waal's exploration of the emotional depth of pottery. It underscores the ongoing dialogue between historical and modern ceramic practices, inviting audiences to reconsider the boundaries of art and craft.
— via World Pulse Now AI Editorial System

Was this article worth reading? Share it

Recommended Readings
Stories from court hearings as home repossessions hit five-year high
NegativeWorld Affairs
BBC journalists reported from various county courts in the East of England and London, where mortgage-holders and renters faced judges amid a significant rise in home repossessions, reaching a five-year high.
Farage must explain reports of racist comments, says PM
NegativeWorld Affairs
The Prime Minister has called on Nigel Farage to clarify allegations of racist comments made during his time at a London school in the 1970s. Farage, the leader of the Reform party, has denied making any such remarks as claimed by former pupils.
Stranger Things’ Sadie Sink to make West End debut in Romeo and Juliet
PositiveWorld Affairs
Sadie Sink, known for her role in 'Stranger Things', is set to make her West End debut in a production of 'Romeo and Juliet'. She will star alongside British actor Noah Jupe, with the production directed by Olivier award-winner Robert Icke. Sink, who began her career on stage, expressed excitement about performing in one of Shakespeare's most famous plays, highlighting the vibrant energy of London theatre. The production is scheduled to open in March 2025.
Mulatu Astatke review – father of Ethio-jazz still innovating during farewell tour
PositiveWorld Affairs
Mulatu Astatke, the 81-year-old pioneer of Ethio-jazz, showcased his innovative spirit during his farewell tour at the EFG Jazz festival in London's Royal Festival Hall. The performance was marked by a dynamic blend of traditional Ethiopian music and modern jazz, starting with the energetic 'Tsome Diguwa' and transitioning into the 4th-century piece 'Zèlèsègna Dèwèl.' Astatke's serious demeanor and intense connection with his vibraphone captivated the audience, demonstrating his ongoing passion for music even at this stage of his career.