Shih-Ching Tsou, a Taiwanese-American filmmaker, has transformed her childhood trauma related to left-handedness into a powerful film that challenges a common Taiwanese superstition. Growing up in Taipei, Tsou was shocked when her grandfather warned her against using her left hand, labeling it as 'the devil's hand.' This personal experience not only highlights the cultural stigma surrounding left-handedness but also showcases Tsou's resilience and creativity in addressing such issues through her art. Her film has garnered acclaim, making it an important conversation starter about cultural beliefs and personal identity.

Emily Mkrtichian's debut film, 'There Was, There Was Not,' poignantly explores the devastating effects of war on the dreams of four women in the now-defunct republic of Artsakh. This intimate portrayal serves as a reminder of the fragility of life and the harsh realities faced by those caught in conflict. The film's setting and narrative resonate deeply, shedding light on the personal toll of geopolitical strife, making it a significant contribution to discussions about war and its impact on individuals.