Vinay: ‘We’re retiring Kaanta Laga, it belongs to Shefali’

The article criticizes what it sees as hypocrisy in the modern Left's defense of free speech, arguing that they only rally behind it when their own allies face censorship. It points to examples like conservatives being banned from social media or controversial books being pulled, claiming these incidents are met with silence from progressive voices. The piece specifically highlights the case of Bob Vylan, suggesting his situation exposes this double standard.

Editor’s Note: This story taps into the ongoing culture wars over who gets to speak and who gets silenced. It’s framed as a callout to progressives, accusing them of selective outrage—something that’ll resonate with readers who feel certain viewpoints are unfairly targeted. Whether you agree or not, it’s another skirmish in the bigger battle over who controls public discourse.

During her Houston show, Beyoncé’s dramatic entrance in a flying car—part of her Cowboy Carter tour—took a scary turn when the vehicle started tipping mid-air. The crowd gasped as it tilted dangerously during her performance of "16 Carriages," but she was quickly and safely lowered to the ground offstage. Ever the pro, she joked afterward, reassuring fans they’d "catch" her if she ever fell.

Editor’s Note: Tour theatrics are getting bolder, but even the slickest productions can go sideways—literally. This near-miss highlights the risks of high-concept stagecraft, but also Beyoncé’s ability to keep cool under pressure. For fans, it’s a reminder that live performances are unpredictable, and for artists, it’s a cautionary tale about pushing spectacle limits. Still, the fact that she turned it into a moment of connection (shouting out the crowd) shows why she’s a legend.

The cast of Étoile—Prime Video’s short-lived ballet dramedy from Gilmore Girls creators Amy Sherman-Palladino and Daniel Palladino—opened up about their disappointment after the show’s abrupt cancellation. At the SCAD Lacoste Film Festival, actors like Yanic Truesdale joked about desperate measures ("I thought about starting a GoFundMe!") while masking deeper frustration. The axing shocked fans and industry insiders, especially given the show’s pedigree and niche appeal.

Editor’s Note: Cancellations always sting, but this one hits harder because Étoile had a passionate fanbase and creative heavyweights behind it. It’s another example of streamers pulling the plug too soon—leaving actors, fans, and even the creators scrambling to process the loss. For viewers invested in niche storytelling, it’s a frustrating reminder of how precarious TV production has become.

Brad Pitt’s high-octane racing flick F1 zoomed past expectations with a $55.6 million opening weekend, marking Apple’s first major box office success as a studio. Critics and audiences are loving it, too—scoring an "A" grade from CinemaScore. Meanwhile, M3GAN 2.0 stalled hard, pulling in just $10 million, a far cry from its predecessor’s hype.

Editor’s Note: Apple’s big bet on Hollywood is finally paying off, proving they can compete with legacy studios. For Pitt, it’s another win in a career full of them. But the lackluster performance of M3GAN 2.0 shows that not all sequels are guaranteed hits—audiences might be getting pickier about what they shell out for.

Glastonbury 2025 wraps up today with a stacked lineup on the Pyramid stage, blending nostalgia and fresh talent. Rod Stewart and Olivia Rodrigo headline, while Chic brings the disco vibes. Earlier acts like the Libertines and Celeste—fresh off her Brit Award win—warm up the crowd under mercifully cloudy skies, a relief after days of scorching heat.

Editor’s Note: Glastonbury’s final day is always a bittersweet highlight, and this year’s mix of legacy acts (Rod Stewart!) and Gen Z icons (Olivia Rodrigo) bridges generations. The cooler weather is a bonus for tired festivalgoers, and Celeste’s rising-star presence hints at her next big move. For music fans, it’s a can’t-miss closer.