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Gary Oldman reflects on breaking free from villain typecasting, while VIEW Conference 2025 announces 'Elio' and 'How to Train Your Dragon' filmmakers as speakers. The dance world mourns choreographer Dave Scott's passing at 42.

‘28 Years Later’ Walking To $56M+ WW Opening, ‘Elio’ Orbiting $50M+ WW As ‘Dragon’ Looks To Lord U.S. Box Office – Preview

DeadlineTuesday, June 17, 2025 at 11:51:46 PM
‘28 Years Later’ Walking To $56M+ WW Opening, ‘Elio’ Orbiting $50M+ WW As ‘Dragon’ Looks To Lord U.S. Box Office – Preview
This weekend’s box office is heating up with three major releases battling for attention. Sony’s 28 Years Later, Danny Boyle’s long-awaited sequel in the zombie apocalypse franchise, is on track for a strong $56 million global debut. Meanwhile, Disney Pixar’s Elio, a fresh sci-fi adventure, is expected to pull in around $50 million worldwide. And How to Train Your Dragon isn’t backing down—the animated sequel is set to dominate the U.S. box office again with a $40 million+ second weekend. Combined, these films are bringing a much-needed jolt to theaters.
Editor’s Note: After a sluggish start to the year, this trio of big releases—spanning horror, animation, and original sci-fi—shows audiences are still eager to hit theaters for the right movies. It’s a promising sign for Hollywood, especially with Elio testing Pixar’s ability to launch new franchises and 28 Years Later proving there’s still life in long-dormant series. If these numbers hold, it could signal a stronger summer ahead.
— Curated via WP Now’s

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Dave Scott Dies: ‘So You Think You Can Dance,’ ‘Step Up 2’ Choreographer Was 42
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The dance world is mourning the loss of Dave Scott, a dynamic choreographer known for his work on So You Think You Can Dance and the Step Up films. He passed away at just 42, as confirmed by a heartfelt post on his Instagram. Tributes are pouring in for an artist who left a lasting mark on pop culture and inspired countless dancers.
Editor’s Note: Scott’s death is a huge blow to the dance community—he wasn’t just a behind-the-scenes talent but a mentor and innovator who shaped how mainstream audiences see hip-hop and street dance. His legacy lives on in the routines and artists he influenced, but losing someone so young and impactful stings. For fans of dance, this is a moment to reflect on how much creativity he packed into too few years.
Gary Oldman Says He Was ‘Typecast’ as the ‘Poster Boy for Rent-a-Villain,’ Which Was ‘Fun for a While’ But Eventually ‘Got a Little Old’: ‘I Just Put a Stop to it’
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Gary Oldman, the acclaimed actor known for his intense and often villainous roles, recently opened up about how he grew weary of being Hollywood's go-to bad guy. In a candid chat on Variety's "Know Their Lines," he reflected on his time playing Dr. Zachary Smith in Lost in Space and other antagonistic parts, admitting that while it was fun at first, the typecasting eventually felt limiting. He decided to step away from those roles to pursue more varied projects.
Editor’s Note: Oldman's honesty sheds light on a common struggle in Hollywood—being pigeonholed into a specific type of role. For fans, it’s a peek behind the curtain at how even A-list actors navigate career fatigue and creative reinvention. It also hints at why we’ve seen him take on more nuanced characters in recent years (hello, Slow Horses). Basically, even iconic villains need a change of scenery sometimes.
Anoop Menon on Kavya's father: “You were such a gentle..."
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Actor Anoop Menon shared heartfelt words about P. Madhavan, the late father of actress Kavya Madhavan, remembering him as a kind and gentle presence during their time working together. Madhavan, affectionately called "Madhavettan," was a pillar of support for his daughter’s career and passed away at 75.
Editor’s Note: This isn’t just another celebrity passing—it’s a glimpse into the personal bonds behind the glamour. Madhavan’s role in his daughter’s success and the affection he inspired in colleagues like Menon highlights how family and mentorship shape the film industry. For fans, it’s a touching reminder of the people behind the stars.
Ram Charan’s ‘Peddi’ seals massive OTT deal
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Ram Charan’s new film Peddi, a rural sports drama directed by Buchi Babu Sana, is making waves even before its release. Netflix just snapped up its digital rights for a whopping ₹105 crore (plus GST), covering all language versions. With other non-theatrical rights adding to the haul, the movie’s production costs might already be covered—a rare win in today’s film industry.
Editor’s Note: Big OTT deals like this signal how streaming platforms are reshaping film economics. For producers, locking in such hefty sums upfront reduces financial risk—especially for a star-driven project like Peddi. For audiences, it’s a hint that the film’s got serious backing (and likely big ambitions). Either way, it’s a win that’ll have Bollywood and regional filmmakers taking notes.
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Rachel Griffiths is celebrating a cultural shift where older women are finally getting their due in Hollywood. She name-drops icons like Demi Moore, Helen Mirren, and Pamela Anderson as proof that age isn’t sidelining talent—it’s amplifying it. Griffiths especially raves about Jamie Lee Curtis’s unapologetic energy (yes, that table-dancing moment) and calls out the brilliance of older actresses owning their spotlight.
Editor’s Note: This isn’t just another "women age gracefully" puff piece—it’s a loud, joyful acknowledgment that Hollywood’s obsession with youth might actually be cracking. When stars like Griffiths call out this moment, it signals real change: more roles, more visibility, and maybe even fewer boring stereotypes about women over 50. And let’s be honest, we’re all here for Jamie Lee Curtis dancing on tables.

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