Inside Amitabh-Jaya's empire of love and luxury

Diana Glenn, known for her award-winning work, is set to lead Coltrane, a gripping five-part VR noir thriller set in Hong Kong. Produced by New Canvas and Jacaranda Productions, the series puts viewers directly into the shoes of Veronica Coltrane, a disgraced ex-cop navigating a shadowy new life. With Glenn also co-directing alongside Sarah Goodes, this immersive experience promises to push the boundaries of storytelling by making the audience an active participant in the mystery.

Editor’s Note: VR storytelling is evolving beyond gimmicks—Coltrane could be a milestone in how we experience noir thrillers. By merging filmic narrative with interactivity, it’s not just about watching a detective’s fall from grace; you’re living it. For fans of Glenn or immersive tech, this is a sign that high-quality, actor-driven VR content is on the rise.

Lucy Blakiston, the brains behind the blunt and wildly popular St You Should Care About platform, just inked a deal with powerhouse talent agency WME. While her current team at Diving Bell will still handle her core strategy, WME’s job is to turbocharge her U.S. reach—think bigger projects, more eyeballs, and maybe even a stateside media takeover.

Editor’s Note: This isn’t just another "influencer gets an agent" story. Blakiston’s brand—a mix of no-nonsense news and Gen Z-friendly activism—has serious cultural clout. WME’s backing signals that her voice (and her audience) are too big to ignore, which could mean more mainstream opportunities—or a test of whether her edgy, unfiltered style can scale without losing its edge.

The new Superman movie, directed by James Gunn and starring David Corenswet and Rachel Brosnahan, opened at #1 in the U.K. and Ireland with £6.9 million ($9.4 million). But while it took the top spot, its debut was weaker than Man of Steel’s $15 million opening a decade ago. Blame the heatwave—people seem more interested in soaking up the sun than sitting in a dark theater.

Editor’s Note: Even a superhero like Superman isn’t immune to real-world distractions. The movie’s soft opening hints at how weather and shifting audience habits (like streaming or just preferring outdoor activities) can shake up the box office. For Warner Bros., it’s a decent start, but not the heroic leap they might’ve hoped for.

Actor Elliot Levey reflects on his experience working alongside the legendary Michael Gambon in a 2005 production of Henry IV. Gambon’s unpredictable, anarchic approach to playing Falstaff—complete with water-bomb pranks and improvised antics—initially threw the cast off but ultimately transformed the play into something electric. Levey reveals how Gambon’s chaotic energy, including a last-minute decision to wear false teeth, reshaped the character and the entire production.

Editor’s Note: This isn’t just a nostalgic behind-the-scenes story—it’s a reminder of how great performances often come from spontaneity and risk-taking, even in classic works. Gambon’s unorthodox methods (and the chaos they caused) highlight the messy, human side of theater, where magic happens off-script as much as on. For anyone who loves acting or storytelling, it’s a peek at how brilliance isn’t always polished—sometimes it’s downright chaotic.

Actor R Madhavan, who's 55 but looks way younger, spills the beans on his anti-aging routine—and it’s refreshingly low-tech. No Botox, no fancy treatments—just good old Ayurveda, coconut oil, sunshine, and home-cooked meals. He’s calling out the film industry’s obsession with filters and cosmetic tweaks, saying natural aging is nothing to hide. Oh, and his haircut? A simple, no-fuss approach.

Editor’s Note: In an era where airbrushing and fillers dominate, Madhavan’s take is a breath of fresh air. It’s not just about looking young—it’s a pushback against unrealistic beauty standards, especially in entertainment. His endorsement of Ayurveda might also nudge fans toward traditional wellness in a market flooded with quick fixes. Plus, who doesn’t love a star who keeps it real?