Pixar's new sci-fi flick Elio has finally landed, but it’s not quite the movie fans were expecting. The trailers from last year painted one picture, but the actual film feels like a different story altogether—and not necessarily in a good way. Even without comparing it to the hype, something about it just doesn’t click.

Editor’s Note: Pixar’s reputation for storytelling magic means every new release comes with sky-high expectations. When a film feels disjointed or fails to deliver on its promise, it’s a letdown—especially for audiences who’ve been waiting years for it. This review hints at creative missteps, which could signal trouble for a studio already facing scrutiny over recent hits and misses.

Rising star Tom Rhys Harries just hit the jackpot—he’s been cast as the lead in DC Studios’ Clayface, a major get for the relatively unknown actor. DC boss James Gunn made the announcement on social media, calling the search for the right actor "exhausting" but clearly thrilled with the choice. While details are still under wraps, Gunn’s enthusiasm suggests Harries is about to become a household name.

Editor’s Note: This isn’t just another casting update—it’s a signal that DC is betting big on fresh talent for its revamped universe. Harries’ leap to leading man status could shake up Hollywood’s usual casting playbook, and Gunn’s public endorsement hints that Clayface might be a cornerstone of DC’s new era. For fans, it’s a reason to get excited; for aspiring actors, it’s proof that breakout roles still exist.

Welsh actor Tom Rhys Harries, known for Suspicion and The Return, has been tapped to play the villain Clayface in DC Studios’ upcoming film. The casting choice signals a shift toward fresh talent for the iconic comic book role, stepping away from more predictable Hollywood picks.

Editor’s Note: This isn’t just another superhero movie casting—it’s a sign DC is willing to take risks with lesser-known actors for major roles. Harries’ background in drama and thrillers could bring a unique, grounded intensity to Clayface, a character often portrayed as a tragic, shape-shifting antagonist. For fans, it’s a promising shake-up in a genre that sometimes leans too hard on familiar faces.

Picturehouse just dropped the trailer for Dying, a German family drama starring Lars Eidinger, and it looks like a raw, darkly comic dive into family chaos. The film, originally titled Sterben, already snagged awards at the Berlinale and German Film Awards, so expectations are high. It follows the messed-up dynamics of the Lunies family—think epic dysfunction with a side of grim humor.

Editor’s Note: If you’re into layered, award-winning dramas that don’t shy away from messy family truths, this one’s worth keeping an eye on. It’s rare for a German film to get this much buzz before its UK release, so cinephiles should take note—especially if you love performances that walk the tightrope between tragedy and absurdity.

Brad Pitt and co-star Damson Idris spilled some behind-the-wheel details about their upcoming racing film F1: The Movie during a TODAY show chat. The duo surprised fans at a New York screening and hinted at just how hands-on they got with those high-speed scenes—Pitt even addressed the burning question of whether he actually drove the cars himself (though he didn’t give a straight yes or no).

Editor’s Note: For racing fans and movie buffs, this kind of insider peek amps up the hype. If Pitt really did some of those stunts, it adds a layer of authenticity (and bragging rights) to the film. Plus, surprise fan events like this keep the buzz alive—smart move for a movie that’s banking on adrenaline and star power.

Sony just dropped a second trailer for the 2025 reboot of I Know What You Did Last Summer, and it’s shaping up to be a mix of remake and legacy sequel—bringing back the original cast from the 1997 cult classic. The teaser leans into the same eerie, small-town-secrets vibe, with the tagline hinting at the group’s guilt coming back to haunt them. The original was a defining slasher of the '90s, spawning two sequels (one decent, one… less so), so this revival has fans both excited and wary.

Editor’s Note: Horror reboots are tricky—they can either breathe new life into a franchise or feel like a cash grab. But with the original cast returning and Sony backing it, this could be a solid revival for a generation that grew up on the original. For horror fans, it’s worth keeping an eye on, especially if it captures the tension and campy thrills that made the first one a hit. Plus, in an era of endless requels, this one’s betting on nostalgia and fresh scares.

Brad Pitt stars in F1: The Movie, a high-octane racing drama directed by Joseph Kosinski (Top Gun: Maverick). The film opens with a moody, serious tone—think The Dark Knight Rises but for racing—but doesn’t fully lean into the lighthearted, nostalgic vibe of classic Paul Newman racing flicks. Still, it avoids being overly self-serious, offering a mix of thrills and old-school charm, even if it doesn’t quite hit the effortless cool it might’ve aimed for.

Editor’s Note: Racing movies are tricky—they need speed, style, and just the right amount of heart. This review suggests F1: The Movie lands somewhere in the middle: not a masterpiece, but not a wreck either. For fans of Pitt or Kosinski’s glossy action style, it’s worth a watch, but don’t expect a genre reinvention. Plus, with F1’s global popularity surging, this could pull in crowds just for the spectacle.

Elio is a heartfelt animated film about an 11-year-old boy who, feeling isolated on Earth, finds an unexpected connection with an alien. Unlike flashy space adventures, this story grounds its cosmic journey in raw, emotional realism—think less Toy Story bravado and more a quiet exploration of loneliness and belonging.

Editor’s Note: Animated movies often dazzle with action or jokes, but Elio seems to prioritize emotional depth, tapping into universal feelings of isolation and the longing for connection. In a genre crowded with sequels and superheroes, a smaller, character-driven story like this could resonate deeply—especially with kids (or adults) who’ve ever felt out of place. Plus, it’s a reminder that animation isn’t just for escapism; it can handle heavy themes with nuance, too.

Brad Pitt’s new F1 movie F1 is all flash and little substance, according to this review. While it nails the high-octane atmosphere of real Formula One races—thanks to director Kosinski filming actual events—it skimps on explaining the sport’s basics, leaving casual viewers in the dust. The racing scenes are chaotic and disjointed, making it hard to follow the strategy or stakes. Pitt brings his usual charisma, but the film feels more like a glossy highlight reel than a deep dive into the world of F1.

Editor’s Note: For F1 fans, this might be a visual thrill, but for everyone else, it’s a missed opportunity. Movies about niche sports live or die by how well they welcome newcomers—and this one seems to shrug and assume you’re already obsessed with tire changes and podium finishes. If you’re hoping for Rush but get Fast & Furious without the fun, that’s a problem.