Market-leading music streamer collaborating with the Sony, Universal and Warner music groups to create new AI featuresSpotify has announced it is teaming up with the world’s biggest music companies to develop “responsible” artificial intelligence products that respect artists’ copyright.The market-leading music streamer is collaborating with the Sony, Universal and Warner music groups – whose combined rosters feature artists including Beyoncé, Ed Sheeran and Taylor Swift – to create new AI features. <a href="https://www.theguardian.com/technology/2025/oct/16/spotify-ai-products-partnering-multinational-music-companies">Continue reading...</a>

تحدثت سبوتيفاي عن شراكتها مع شركات الموسيقى الكبرى مثل سوني، يونيفرسال، ووارنر لتطوير منتجات ذكاء اصطناعي تحترم حقوق الفنانين. تهدف هذه الشراكة إلى إنشاء ميزات مبتكرة مع ضمان احترام قوانين حقوق الطبع والنشر، وهو أمر بالغ الأهمية في صناعة غالبًا ما تواجه تحديات القرصنة الرقمية. من خلال التركيز على الذكاء الاصطناعي المسؤول، لا تعزز سبوتيفاي عروضها فحسب، بل تحدد أيضًا معيارًا للممارسات الأخلاقية في تكنولوجيا الموسيقى.

Spotify está causando revuelo al asociarse con grandes compañías musicales como Sony, Universal y Warner para desarrollar productos de IA que priorizan los derechos de los artistas. Esta colaboración tiene como objetivo crear características innovadoras mientras se asegura el respeto a las leyes de derechos de autor, lo cual es crucial en una industria a menudo desafiada por la piratería digital. Al centrarse en una IA responsable, Spotify no solo está mejorando sus ofertas, sino que también está estableciendo un estándar para prácticas éticas en la tecnología musical.

Spotify fait sensation en s'associant à de grandes entreprises musicales comme Sony, Universal et Warner pour développer des produits d'IA qui respectent les droits des artistes. Cette collaboration vise à créer des fonctionnalités innovantes tout en garantissant le respect des lois sur le droit d'auteur, ce qui est crucial dans une industrie souvent confrontée à la piraterie numérique. En se concentrant sur une IA responsable, Spotify améliore non seulement ses offres, mais établit également une norme pour des pratiques éthiques dans la technologie musicale.

Spotify is making waves by partnering with major music companies like Sony, Universal, and Warner to develop AI products that prioritize artists' rights. This collaboration aims to create innovative features while ensuring that copyright laws are respected, which is crucial in an industry often challenged by digital piracy. By focusing on responsible AI, Spotify is not only enhancing its offerings but also setting a standard for ethical practices in music technology.

Spotify partnering with multinational music companies to develop ‘responsible’ AI products

Follow today’s news live<ul><li><a href="https://www.theguardian.com/australia-news/2025/nov/13/liberal-party-net-zero-policy-meeting-debate-decision">Liberals formally abandon net zero target but will allow moderate MPs to call lower emissions a ‘welcome outcome’</a></li><li>Get our <a href="https://www.theguardian.com/email-newsletters?CMP=cvau_sfl">breaking news email</a>, <a href="https://app.adjust.com/w4u7jx3">free app</a> or <a href="https://www.theguardian.com/australia-news/series/full-story?CMP=cvau_sfl">daily news podcast</a></li></ul>Teal independent MP Sophie Scamps said the Coalition’s position on net zero policies signals the “death knell” of the Liberal party as Sussan Ley appears <a href="https://www.theguardian.com/australia-news/2025/nov/12/liberals-poised-to-dump-net-zero-target-after-majority-reject-policy-in-marathon-five-hour-meeting">poised to dump emissions targets</a>.Scamps appears on the Today Show this morning, where she was asked about apparent wins yesterday in Canberra by conservatives looking to dump the net zero targets.I think it signals the death knell of the Liberal party. They’ve been led around by the nose by the likes of Barnaby Joyce and Gina Rinehart for way too long.We have been facing climate change, which is the issue of our era, and the Liberal party and the Nats have failed to act now for 25 years. Not only have they failed to act, but they’ve also failed to lead and they’ve obstructed action on this.What we see the Coalition is the same conflict, the same climate chaos, the same leadership wars which has defined them on this issue for, you know, what is it, 15 more years. What is the consequence? Well, we’ve seen it. The consequence is higher energy prices …What we need is policy certainty. That’s what the Albanese government is giving. The Coalition still haven’t learned – the climate wars and leadership contests have become fused in their minds for almost 15 years and it all continues. <a href="https://www.theguardian.com/australia-news/live/2025/nov/13/australia-news-live-liberals-energy-policy-dan-tehan-sussan-ley-net-zero-emissions-climate-change-labor-anthony-albanese-aurora-australis-ntwnfb">Continue reading...</a>

تخلت الحزب الليبرالي الأسترالي رسميًا عن هدفه المتمثل في تحقيق انبعاثات صفرية، مما أثار انتقادات قوية من شخصيات سياسية مختلفة. وصفت النائبة المستقلة صوفي سكامبس هذا القرار بأنه يشير إلى 'نهاية الحزب الليبرالي'، مشيرة إلى أنه يعكس فشلًا في اتخاذ إجراءات بشأن القضايا المناخية على مدار الـ 25 عامًا الماضية. كما أدانت هانسون-يونغ الحزب، ووصفت أعضائه بأنهم 'مجموعة من المجانين' الذين يهددون الاقتصاد. يثير هذا التحول في السياسة مخاوف بشأن الاتجاه المستقبلي للحزب والتزامه بالمسؤوليات البيئية، مما قد يكون له تداعيات كبيرة على استراتيجية أستراليا المناخية.

El partido Liberal australiano ha abandonado formalmente su objetivo de cero emisiones netas, lo que ha provocado fuertes críticas de diversas figuras políticas. La diputada independiente Sophie Scamps describió esta decisión como un signo de la 'muerte' del partido Liberal, sugiriendo que refleja un fracaso en actuar sobre cuestiones climáticas durante los últimos 25 años. Hanson-Young también condenó al partido, calificando a sus miembros de 'un grupo de locos' que amenazan la economía. Este cambio de política genera preocupaciones sobre la futura dirección del partido y su compromiso con las responsabilidades ambientales, lo que podría tener implicaciones significativas para la estrategia climática de Australia.

Le parti libéral australien a officiellement abandonné son objectif de zéro émission nette, suscitant de vives critiques de la part de diverses figures politiques. La députée indépendante Sophie Scamps a décrit cette décision comme un signal de la 'fin du parti libéral', suggérant qu'elle reflète un échec à agir sur les questions climatiques depuis 25 ans. Hanson-Young a également condamné le parti, qualifiant ses membres de 'groupe de fous' menaçant l'économie. Ce changement de politique soulève des inquiétudes quant à la future direction du parti et son engagement envers les responsabilités environnementales, ce qui pourrait avoir des implications significatives pour la stratégie climatique de l'Australie.

The Australian Liberal party has formally abandoned its net zero target, prompting strong criticism from various political figures. Teal independent MP Sophie Scamps described this decision as signaling the 'death knell' of the Liberal party, suggesting that it reflects a failure to act on climate issues for the past 25 years. Hanson-Young also condemned the party, labeling its members as 'a bunch of nutters' who threaten the economy. This shift in policy raises concerns about the future direction of the party and its commitment to environmental responsibilities, which could have significant implications for Australia's climate strategy.

Australia news live: Hanson-Young calls Liberals ‘a bunch of nutters’ who want to drive economy off a cliff after net zero decision

<img alt="Preview" align="left" style="margin-right: 10px;" src="https://mf.b37mrtl.ru/files/2025.10/thumbnail/6902534e85f54047d96f20f6.jpg" /> Russia’s PROD Olympiad invites English-speaking 8-12th graders worldwide to explore industrial software and real IT business challenges <a href="https://www.rt.com/russia/627115-russia-global-it-olympiad/?utm_source=rss&utm_medium=rss&utm_campaign=RSS">Read Full Article at RT.com</a>

تدعو أولمبياد PROD الروسية الطلاب الناطقين بالإنجليزية من الصف الثامن إلى الثاني عشر من جميع أنحاء العالم للمشاركة في أولمبياد تكنولوجيا المعلومات الدولي. يركز هذا الحدث على البرمجيات الصناعية والتحديات الحقيقية في مجال تكنولوجيا المعلومات، بهدف إشراك المطورين الشباب في تطبيقات عملية لمهاراتهم.

La PROD Olympiad de Rusia invita a estudiantes de habla inglesa de 8º a 12º grado de todo el mundo a participar en la primera Olimpiada Internacional de TI. Este evento se centra en el software industrial y los desafíos reales de negocios en TI, con el objetivo de involucrar a jóvenes desarrolladores en aplicaciones prácticas de sus habilidades.

La PROD Olympiad de Russie invite les élèves anglophones de la 8e à la 12e année du monde entier à participer à la première Olympiade internationale de l'informatique. Cet événement se concentre sur les logiciels industriels et les défis réels en matière d'informatique, visant à engager les jeunes développeurs dans des applications pratiques de leurs compétences.

Russia's PROD Olympiad is inviting English-speaking students in grades 8-12 from around the world to participate in the inaugural international IT Olympiad. This event focuses on industrial software and real IT business challenges, aiming to engage young developers in practical applications of their skills.

Russia invites young developers to join world’s first international IT Olympiad

When dual national Nazanin Zaghari-Ratcliffe was imprisoned, her husband went on hunger strike – to force Britain to act. Narges Rashidi and Joseph Fiennes reveal how they brought their nightmare to the small screenWhen Nazanin Zaghari-Ratcliffe was arrested in Iran in 2016, it wasn’t immediately obvious what had happened – but within 100 days, we had the contours of the story. Her husband, Richard Ratcliffe, held a press conference. He had amassed 780,000 signatures on a petition for her release, and <a href="https://www.theguardian.com/world/2016/jul/12/nazanin-zaghari-ratcliffe-iran-husband-urges-cameron-help">delivered a letter urging the same thing to former PM David Cameron</a>. This, it transpired much later, was after murky meetings with the Foreign Office in which civil servants insisted that the best thing, both for Nazanin’s release and the safety of her parents and brother in Iran, was to lay low and let diplomacy take its course.“It was state hostage-taking,” says Joseph Fiennes, who plays Richard Ratcliffe in the BBC’s four-part drama <a href="https://www.bbc.co.uk/programmes/m002hzfp">Prisoner 951</a>. “It clearly goes on, and innocent people and families are completely disrupted and tarred for life. And now I’ve told this story, I look at anyone that might be accused of something, and I don’t quite believe it.” <a href="https://www.theguardian.com/tv-and-radio/2025/nov/13/prisoner-951-nazanin-zaghari-ratcliffe-iranian-jail-narges-rashidi-joseph-fiennes">Continue reading...</a>

تم اعتقال نازانين زغاري راتكليف في إيران عام 2016، مما دفع زوجها، ريتشارد راتكليف، إلى إطلاق حملة من أجل إطلاق سراحها، بما في ذلك إضراب عن الطعام وجمع 780,000 توقيع على عريضة. شملت جهوده تسليم رسالة إلى رئيس الوزراء آنذاك، ديفيد كاميرون، تطالبه بالتحرك. وقد وصف الممثل جوزيف فينيس الوضع بأنه 'احتجاز رهائن من قبل الدولة'، حيث يلعب دور ريتشارد في دراما بي بي سي 'Prisoner 951'، التي تصور محنة نازانين. تسلط هذه القضية الضوء على القضايا الأوسع للاحتجاز السياسي وتأثيره على الأسر البريئة، مما يزيد الوعي بانتهاكات حقوق الإنسان في إيران.

Nazanin Zaghari-Ratcliffe fue encarcelada en Irán en 2016, lo que llevó a su esposo, Richard Ratcliffe, a lanzar una campaña por su liberación, que incluyó una huelga de hambre y la recolección de 780,000 firmas en una petición. Sus esfuerzos incluyeron la entrega de una carta al entonces Primer Ministro David Cameron, instando a la acción. La situación ha sido descrita como 'toma de rehenes por parte del estado' por el actor Joseph Fiennes, quien interpreta a Richard en el drama de la BBC 'Prisoner 951', que retrata la angustiosa odisea de Nazanin. Este caso destaca los problemas más amplios del encarcelamiento político y el impacto en familias inocentes, aumentando la conciencia sobre las violaciones de derechos humanos en Irán.

Nazanin Zaghari-Ratcliffe a été emprisonnée en Iran en 2016, ce qui a poussé son mari, Richard Ratcliffe, à lancer une campagne pour sa libération, y compris une grève de la faim et la collecte de 780 000 signatures de pétition. Ses efforts comprenaient la livraison d'une lettre au Premier ministre de l'époque, David Cameron, lui demandant d'agir. La situation a été décrite comme un 'prise d'otage d'État' par l'acteur Joseph Fiennes, qui incarne Richard dans le drame de la BBC 'Prisoner 951', qui dépeint l'odieuse épreuve de Nazanin. Cette affaire met en lumière les problèmes plus larges de l'emprisonnement politique et l'impact sur les familles innocentes, sensibilisant aux violations des droits de l'homme en Iran.

Nazanin Zaghari-Ratcliffe was imprisoned in Iran in 2016, leading her husband, Richard Ratcliffe, to launch a campaign for her release, including a hunger strike and gathering 780,000 petition signatures. His efforts included delivering a letter to then-Prime Minister David Cameron, urging action. The situation has been described as 'state hostage-taking' by actor Joseph Fiennes, who portrays Richard in the BBC drama 'Prisoner 951,' which depicts Nazanin's harrowing ordeal. This case highlights the broader issues of political imprisonment and the impact on innocent families, raising awareness about human rights violations in Iran.

‘She was extremely petrified’: the shocking drama about one woman’s six-year ordeal in an Iranian jail

Documents show staff kept Epstein informed of Trump’s air travel – and Epstein kept up with news about former friendA tranche of documents released by the House oversight committee on Wednesday revealed that Jeffrey Epstein’s staff kept him apprised of Donald Trump’s air travel as it related to his own transportation – and that the late sex trafficker kept up with news about his former friend years after their relationship soured.This disclosure of about 20,000 pages from Republican members of the committee related to Epstein comes as Trump continues to battle with the political fallout related to their past friendship – and his justice department’s failure to release documents as he had long promised on the campaign trail. <a href="https://www.theguardian.com/us-news/2025/nov/13/jeffrey-epstein-emails-trump">Continue reading...</a>

تكشف رسائل إلكترونية تم إصدارها مؤخرًا أن موظفي جيفري إبستين كانوا يراقبون رحلات دونالد ترامب الجوية وأن إبستين ظل مهتمًا بترامب حتى بعد انتهاء صداقتهما. تأتي هذه المعلومات من مجموعة من 20,000 صفحة تم الكشف عنها من قبل لجنة الإشراف في مجلس النواب، في ظل التحديات السياسية التي يواجهها ترامب المتعلقة بعلاقته السابقة وفشل وزارة العدل في إصدار الوثائق التي وعد بها.

Correos electrónicos recientemente publicados indican que el personal de Jeffrey Epstein monitoreaba los viajes aéreos de Donald Trump y que Epstein mantuvo interés en Trump incluso después de que su amistad terminó. Esta información proviene de un lote de 20,000 páginas divulgadas por el comité de supervisión de la Cámara, en medio de los desafíos políticos que enfrenta Trump relacionados con su antigua asociación y el fracaso de su departamento de justicia en publicar documentos prometidos.

Des e-mails récemment publiés révèlent que le personnel de Jeffrey Epstein surveillait les voyages aériens de Donald Trump et qu'Epstein s'intéressait à Trump même après la fin de leur amitié. Ces informations proviennent d'un lot de 20 000 pages divulguées par le comité de surveillance de la Chambre, dans un contexte de défis politiques pour Trump liés à leur ancienne association et à l'échec de son ministère de la Justice à publier des documents promis.

Recently released emails indicate that Jeffrey Epstein's staff monitored Donald Trump's air travel and that Epstein maintained an interest in Trump even after their friendship ended. This information comes from a batch of 20,000 pages disclosed by the House oversight committee, amidst ongoing political challenges for Trump related to their past association and the failure of his justice department to release promised documents.

Newly released emails reveal Epstein kept close eye on Trump

Restrictions for entry to Schengen zone announced last Friday because of sabotage attacks linked to RussiaRussian opposition figures have reacted with anger and dismay to a decision by the European Union to introduce a ban on multi-entry visas to the Schengen zone for Russian citizens, announced in recent days.“Starting a war and expecting to move freely in Europe is hard to justify,” said the EU foreign policy chief, Kaja Kallas, when announcing the decision last Friday. She added that the tightened rules were a response to <a href="https://www.theguardian.com/world/2025/sep/14/russian-drone-incursion-poland-nato-ukraine-europe">Russian drone incursions</a> into European airspace and <a href="https://www.theguardian.com/world/ng-interactive/2025/may/04/these-people-are-disposable-how-russia-is-using-online-recruits-for-a-campaign-of-sabotage-in-europe">sabotage attacks linked to Russia</a>. <a href="https://www.theguardian.com/world/2025/nov/13/russia-eu-ban-multi-entry-visas-restrictions">Continue reading...</a>

عبّر معارضون روس عن غضبهم واستيائهم من قرار الاتحاد الأوروبي الأخير بحظر تأشيرات الدخول المتعددة للمواطنين الروس. هذا القرار، الذي أعلنته كاجا كلاس، رئيسة السياسة الخارجية للاتحاد الأوروبي، هو رد على الاقتحامات الأخيرة للطائرات المسيرة الروسية في الأجواء الأوروبية وهجمات التخريب المرتبطة بروسيا. وأكدت كلاس أنه من الصعب تبرير السماح بالحركة الحرة في أوروبا بينما روسيا في حالة حرب. يعكس الحظر موقف الاتحاد الأوروبي بشأن الأمن والمساءلة في ظل التوترات المستمرة مع روسيا، مما يبرز الآثار الأوسع على المواطنين الروس الذين يعارضون الحكومة.

Las figuras de la oposición rusa han expresado su ira y consternación por la reciente decisión de la Unión Europea de prohibir los visados de múltiples entradas para los ciudadanos rusos. Esta decisión, anunciada por la jefa de política exterior de la UE, Kaja Kallas, es una respuesta a las recientes incursiones de drones rusos en el espacio aéreo europeo y a los ataques de sabotaje vinculados a Rusia. Kallas enfatizó que es difícil justificar permitir la libre circulación en Europa mientras Rusia está en guerra. La prohibición refleja la postura de la UE sobre la seguridad y la responsabilidad en medio de las tensiones con Rusia, destacando las implicaciones más amplias para los ciudadanos rusos que se oponen al gobierno.

Des figures de l'opposition russe ont exprimé leur colère et leur consternation face à la décision récente de l'Union européenne d'interdire les visas à entrées multiples pour les citoyens russes. Cette décision, annoncée par la cheffe de la politique étrangère de l'UE, Kaja Kallas, est une réponse aux récentes incursions de drones russes dans l'espace aérien européen et aux attaques de sabotage liées à la Russie. Kallas a souligné qu'il est difficile de justifier la libre circulation en Europe alors que la Russie est engagée dans une guerre. L'interdiction reflète la position de l'UE sur la sécurité et la responsabilité face aux tensions persistantes avec la Russie, mettant en lumière les implications plus larges pour les citoyens russes qui s'opposent au gouvernement.

Russian opposition figures have expressed anger and dismay over the European Union's recent decision to ban multi-entry visas for Russian citizens. This decision, announced by EU foreign policy chief Kaja Kallas, is a response to recent Russian drone incursions into European airspace and sabotage attacks linked to Russia. Kallas emphasized that it is difficult to justify allowing free movement in Europe while Russia is engaged in warfare. The ban reflects the EU's stance on security and accountability in light of ongoing tensions with Russia, highlighting the broader implications for Russian citizens who oppose the government.

Russian opposition figures criticise EU ban on multi-entry visas for country’s citizens

Troubled waters over the world’s longest suspension bridge are no surprise. The Italian government should be funding public servicesA dozen or so times each day, as Italy’s southbound Intercity rail service arrives in the Calabrian town of Villa San Giovanni, the journey comes to a dramatic halt. The train is decoupled from its tracks, carefully loaded on to the deck of a ferry, and secured in place. The entire cargo then eases out into the Strait of Messina en route to Sicily. Invariably, this 25-minute crossing becomes an impromptu community moment. Passengers abandon their carriages, flocking to the ship’s top-deck snack bar to share freshly fried arancini, trade anecdotes, and admire the vista over Mount Etna’s distant peak, before returning to continue their journey by rail.For tourists and itinerant visitors like myself, the ferry crossing is a charming novelty. For local people, however, it has long been a defining part of their identity. In his 1941 novel, Conversations in Sicily, the writer Elio Vittorini describes a group of fruit pickers congregating on the boat’s deck, feasting on large chunks of local cheese and enjoying the view. As the narrator joins them, he is transported to “being a boy; feeling the wind devouring the sea”, while gazing out at “the ruins along the two coasts”, separated, poetically, across the water.Jamie Mackay is a writer and translator based in Florence <a href="https://www.theguardian.com/commentisfree/2025/nov/13/sicily-italy-worlds-longest-suspension-bridge-europe">Continue reading...</a>

The article discusses the ongoing debate over the proposed construction of a giant bridge connecting mainland Italy to Sicily, which many believe will never be built. Instead of investing in such projects, the author argues that the Italian government should prioritize funding for public services. The ferry crossing from Villa San Giovanni to Sicily, a cherished local tradition, highlights the cultural significance of the region and the need for sustainable infrastructure.

Sicily deserves better than the looming prospect of a giant bridge that will never get built | Jamie Mackay

Nimble, open-minded outfits such as Nina Protocol, Cantilever and Subvert are looking to bring more money to artists, and a richer experience for listenersThe noise around Spotify this year has been louder than ever, from <a href="https://www.theguardian.com/books/2025/mar/05/mood-machine-by-liz-pelly-review-a-savage-indictment-of-spotify">Liz Pelly’s book Mood Machine</a> – a biting indictment of the company and its alleged practices, described as “error-riddled theories” by Spotify itself – to a slew of indie artists leaving the platform due to political and ethical reasons. There was even a recent music forum in California called <a href="https://www.theguardian.com/technology/2025/oct/12/spotify-boycott-artists">Death to Spotify</a>.So the timing is fortuitous for a growing number of independent streaming and music community platforms, such as Nina Protocol, Coda, Subvert, Lissen, Vocana, and just last week a new one launched in the UK: Cantilever. “More people are definitely looking for alternatives,” says Nina Protocol’s chief executive Mike Pollard. “We strongly believe the future of music is independent.” <a href="https://www.theguardian.com/music/2025/nov/11/spotify-music-streaming-companies">Continue reading...</a>

يتغير مشهد بث الموسيقى مع ظهور منصات مستقلة مثل Nina Protocol وCantilever وSubvert كبدائل لـ Spotify. هذا التغيير مدفوع بعدم الرضا المتزايد عن Spotify، الذي تم تسليط الضوء عليه من خلال الكتاب النقدي لـ Liz Pelly، 'Mood Machine'، ومنتدى حديث في كاليفورنيا بعنوان 'Death to Spotify'. يغادر العديد من الفنانين المستقلين المنصة لأسباب سياسية وأخلاقية، مما يدفع للبحث عن خيارات أكثر ملاءمة للفنانين. يؤكد مايك بولارد، الرئيس التنفيذي لـ Nina Protocol، إيمانه بمستقبل الموسيقى المستقلة، مما يشير إلى احتمال تراجع Spotify مع سعي المستهلكين للحصول على تجارب أغنى وتعويض أفضل للفنانين.

El panorama del streaming musical está cambiando con la aparición de plataformas independientes como Nina Protocol, Cantilever y Subvert, que se presentan como alternativas a Spotify. Este cambio se debe a la creciente insatisfacción con Spotify, destacada por el libro crítico de Liz Pelly, 'Mood Machine', y un foro reciente en California titulado 'Death to Spotify'. Muchos artistas independientes están abandonando la plataforma por razones políticas y éticas, lo que impulsa la búsqueda de opciones más favorables para los artistas. Mike Pollard, CEO de Nina Protocol, enfatiza su creencia en el futuro de la música independiente, sugiriendo un posible declive de Spotify a medida que los consumidores buscan experiencias más ricas y una mejor compensación para los artistas.

Le paysage du streaming musical évolue avec l'émergence de plateformes indépendantes comme Nina Protocol, Cantilever et Subvert, qui se présentent comme des alternatives à Spotify. Ce changement est alimenté par une insatisfaction croissante à l'égard de Spotify, mise en lumière par le livre critique de Liz Pelly, 'Mood Machine', et un forum récent en Californie intitulé 'Death to Spotify'. De nombreux artistes indépendants quittent la plateforme pour des raisons politiques et éthiques, ce qui incite à rechercher des options plus favorables aux artistes. Mike Pollard, PDG de Nina Protocol, souligne sa conviction dans l'avenir de la musique indépendante, suggérant un déclin potentiel de Spotify alors que les consommateurs recherchent des expériences plus riches et une meilleure rémunération pour les artistes.

The music streaming landscape is shifting as independent platforms like Nina Protocol, Cantilever, and Subvert emerge as alternatives to Spotify. This change is fueled by growing dissatisfaction with Spotify, highlighted by Liz Pelly's critical book 'Mood Machine' and a recent forum in California titled 'Death to Spotify'. Many indie artists are leaving the platform for political and ethical reasons, prompting a search for more artist-friendly options. Mike Pollard, CEO of Nina Protocol, emphasizes a belief in the future of independent music, suggesting a potential decline for Spotify as consumers seek richer experiences and better compensation for artists.

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